Francisco de Goya

José Antonio Caballero, Marquis of Caballero (José Antonio Caballero, marqués de Caballero)

Clasificación
José Antonio Caballero, Marquis of Caballero (José Antonio Caballero, marqués de Caballero)
Datos Generales
Cronología
1807
Ubicación
Szépmüvészeti Muzeum. Budapest, Budapest, Hungary
Dimensiones
105 x 84 cm
Técnica y soporte
Oil on canvas
Reconocimiento de la autoría de Goya
Documented work
Titular
Szépmüvészeti Muzeum Budapest
Ficha: realización/revisión
28 Mar 2010 / 14 Apr 2021
Inscripciones

Excmo. Sr. / Marques de Caballero / Ministro de / Gracia y / Justicia / por Goya / 1807 ("His Excellency the Marquis of Caballero, Minister of Grace and Justice, by Goya, 1807", on the piece of paper in the subject's left hand).

Historia

This painting came from the collection of the Marquis of Corvera and was painted to hang in the Ministry of Grace and Justice. It was later in the Bayo and Pares collections, in Madrid. The Museum of Budapest acquired it in 1906.

Análisis artístico

José Antonio Caballero (Aldeadávila de la Ribera, Salamanca, 1754-Salamanca, 1821) succeeded Jovellanos in 1798 as secretary of state (minister) for Grace and Justice under King Charles IV.

He inherited the title of Marquis of Caballero in 1807. This portrait of him forms a pair with that of his wife, the Marchioness of Caballero, also painted by Goya.

The three-quarter-length painting shows the subject seated on a chair upholstered in red velvet with gold edges. He wears the uniform of minister, black frock coat with gold borders, red waistcoat and matching red trousers, and a white shirt with frills poking out at the neck. On his chest he wears the white and blue sash of the Order of Charles III, over which the Grand Cross of the order hangs. On one side of the frock coat we see the knight's insignia of the Order of Santiago, of which the sitter was also a member. In his left hand he holds some papers, on which are written the name and position of the subject together with the painter's signature and the date the portrait was made.

Their are considerable differences between the rapid, thickly loaded brushstrokes used on the sitter's clothing and medals and the fine, delicate ones of his face, which are applied with great care and skill. The sitter peers straight out at the viewer with an intense, keen and intelligent look in his eyes.

A replica of this painting exists in the Lowe Art Museum in Miami, United States, on loan to the museum from the Oscar B. Cintas Foundation.

Exposiciones
  • Goya (1746 – 1828)
    Galleria Internazionale d’Arte Moderna di Ca’Pesaro
    Venecia
    1989
    consultant editor Antonio Fortún Paesa. From May 7th to July 4th 1989
  • Pintura española de los siglos XVI al XVIII en las colecciones centroeuropeas
    Museo Nacional del Prado
    Madrid
    1981
    consultant editor Alfonso E. Pérez Sánchez. From December 1st 1981 to January 31st 1982
  • Iustitia. La Justicia en las Artes
    Fundación Carlos de Amberes
    Madrid
    2007
Bibliografía
  • Pablo (comisario) Rico Lacasa
    Goya 1746-1828
    MilanElecta
    1989
    pp. 124 y 125 (il.), cat. 34
  • Xavier Desparmet Fitz-Gerald
    L'œuvre peint de Goya. 4 vols
    París
    1928-1950
    p. 171, cat. 458
  • GASSIER, Pierre y WILSON, Juliet
    Vie et ouvre de Francisco de Goya
    ParísOffice du livre
    1970
    p. 201, cat. 861
  • vol. I, p. 340, cat. 544
  • José Camón Aznar
    Francisco de Goya, 4 vols.
    ZaragozaCaja de Ahorros de Zaragoza, Aragón y Rioja
    1980-1982
    vol. III, p. 158
Enlaces externos
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