- Ca. 1810 - 1812
- The Prado National Museum. Madrid, Madrid, Spain
- 166 x 230 mm
- Técnica y soporte
- Sanguine on laid paper
- Reconocimiento de la autoría de Goya
- Undisputed work
- El Prado National Museum
- Ficha: realización/revisión
- 29 Nov 2010 / 23 May 2023
15 (lower left-hand corner).
See Sad presentiments of what must come to pass.
This drawing, just like the set of preparatory drawings made for the other prints in the series, formed part of the Carderera collection before arriving at the Prado Museum, where it is currently housed.
Goya has worked carefully and precisely on this preparatory drawing. His depictions of both the anatomies of the naked corpses that are being stripped of their clothes and the men carrying out this act are very detailed. In the figures arranged in the foreground we can make out no major differences between this drawing and the finished print. On the left-hand side, however, in the background, the artist seems to have vaguely sketched out here in the drawing a battle scene, an element which is absent from the subsequent etching. Also in the drawing, behind the French soldier who is pulling off the clothes belonging to one of the corpses in the centre, we can make out a large dark smudge, probably a reference to the large tree trunk featured in the print.
Goya. Drawings, Etchings and LithographsGoya. DrawingsLondon1954from June 12th to July 25th 1954cat. 50
Los dibujos de GoyaMuseo Provincial de ZaragozaZaragoza1978exhibition organized by Museo Provincial de Zaragoza, Ministerio de Cultura and Ayuntamiento de Zaragoza, exhibition guide written by Miguel Beltrán Lloris and Micaela Pérez Sáenz. October 1978cat. 67
GoyaKoninklijke Musea Voor Schone Kunsten Van BelgiëBrussels1985consultant editor Luis González Seara. From October 26th to December 22nd 1985cat. D.43
MadridMuseo del Prado1954n. 91
Vie et ouvre de Francisco de GoyaParísOffice du livre1970cat. 1018
Dibujos de Goya, 2 volsBarcelonaNoguer1975cat. 176
El mundo de Goya en sus dibujosMadridUrbión1979pp. 139-140