- Cronología
- Ca. 1771
- Ubicación
- Museum of Zaragoza, Zaragoza, Spain
- Dimensiones
- 23 x 12 cm
- Técnica y soporte
- Oil on canvas
- Reconocimiento de la autoría de Goya
- Documented work
- Titular
- Government of Aragon
- Ficha: realización/revisión
- 15 Feb 2010 / 11 Dec 2024
- Inventario
- (51391)
- Otros títulos:
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Daphnis and Chloe (Dafnis y Cloe)
GOYA (lower right-hand corner).
This work was produced during Goya's stay in Italy. Desparmet Fitz-Gerald published four previously unpublished works from the artist's youth, amongst which we find this work, interpreted by the Frenchman as depicting Daphnis and Chloe.
The work formed part of private collections in Bayonne and Zurich. It later travelled to North America. It was acquired by the Government of Aragón in 1999, and entrusted to the Museum of Zaragoza.
From December 5th, 2024, and while the Zaragoza Museum remains closed for works, the painting is part of the exhibition 'Goya. From the Museum to the Palace' in the Aljafería Palace in Zaragoza.
This piece is an example of a particular kind of painting which Goya produced and sold in Italy to cover his living costs. They are small pictures adapted to the tastes of specific clients. (For more information on this kind of work, see Sacrifice to Vesta).
Both the sale and the execution of these works were rapid, as can be seen from the x-ray of this painting, which does not show a single alteration. The scene depicts Venus, weeping inconsolably by the dead body of her lover, the beautiful Adonis, who has been killed by a wild boar.
The composition is clearly divided into two separate areas by the diagonal line established by the trunk of the tree. There is a strong contrast between the background, which is characterized by typically baroque dark tones and a tempestuous sky, and the figures in the foreground, which are illuminated and dressed in very bright colours. Adonis' anatomy reflects Goya's increased interest in classical sculpture, also reflected in the notes written in his Italian Sketchbook.
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Venus & Cupid. An exhibition of Paintings and Drawings from the XVI to the XIX CenturyWildensteinLondon1991From February 14th to March 28th 1991
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Goya e ItaliaMuseo de ZaragozaZaragoza2008organized by the Fundación Goya en Aragóna, consultant editor Joan Sureda Pons. From June 1st to September 15th 2008cat. 149
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Zaragoza2021
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Goya. From the Museum to the PalaceZaragoza2024cat.105
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Vie et ouvre de Francisco de GoyaParísOffice du livre1970pp. 74, 82, cat. 21
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BarcelonaPolígrafa1970vol. I, p. 237, cat. 13
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Cuatro pinturas de la juventud de Goya hasta ahora desconocidasGoyaMadrid1971pp. 201-204
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L’opera pittorica completa di GoyaMilanRizzoli1974p. 90, cat. 19
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Francisco de Goya, 4 vols.ZaragozaCaja de Ahorros de Zaragoza, Aragón y Rioja1980-1982vol. I, p. 51 y p. 219 (il.)
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Goya e Italia, 2 vols.ZaragozaFundación Goya en Aragón y Turner2008vol. II, p. 238, cat. 149
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Goya. Traveler and artist of the Grand Tour (exp. cat.)ZaragozaGobierno de Aragón2021pp. 162-163
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Goya. From the Museum to the PalaceZaragozaZitro Comunicación2024pp.104-105