Francisco de Goya

Antonia de Moyúa y Mazarredo

Clasificación
Antonia de Moyúa y Mazarredo
Datos Generales
Cronología
Ca. 1791
Ubicación
Private collection, Madrid, Madrid, Spain
Dimensiones
33 cm ø
Técnica y soporte
Oil on canvas
Reconocimiento de la autoría de Goya
Attributed work
Ficha: realización/revisión
09 Mar 2010 / 08 Mar 2012
Historia

At the beginning of the 20th century, this work belonged to Antonio de Mazarredo Allendesalazar, who left it to her daughter, Josefa de Mazarredo y Vivanco, Countess of Castellano.

Análisis artístico

Antonia de Moyúa (not Moyna, as she is sometimes mistakenly called) was the daughter of the Marquis of Rocaverde. Her marriage to Admiral José de Mazarredo y Gortázar produced a daughter, Juana Mazarredo y Moyúa.

The surviving part of this portrait depicts the subject against a dark, neutral background. She has a friendly, smiling face and is dressed in a white blouse with lace at the neck. She also wears a band of golden links in her curly hair, along with a matching necklace and earrings.

Today's critics are divided between attributing the work to Goya or to Agustín Esteve, just as with the portrait of Juana Mazarredo y Moyúa.

Conservación

It appears that the canvas was cut down following the damage caused during one of the sieges that the city of Bilbao suffered in the course of the Carlist Wars.

Exposiciones
  • Exposición Hispano-Francesa
    Zaragoza
    1908
  • Exposición de Retratos y Dibujos Antiguos y Modernos
    Ayuntamiento de Barcelona
    Barcelona
    1910
  • La memoria de Goya
    Museo de Zaragoza
    Zaragoza
    2008
    organized by Fundación Goya en Aragón, consultant editor Juan Carlos Lozano López. From February 7th to April 6th 2008
Bibliografía
  • Vida y obras de Goya
    Francisco Javier Sánchez Cantón
    cat. 218
    1951
    Editorial Peninsular
  • La memoria de Goya (1828 – 1978)
    Juan Carlos (comisario) Lozano López
    p.321, cat. 30
    2008
    Gobierno de Aragón, Dpto. de Educación, Cultura y Deporte
Enlaces externos
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