Francisco de Goya

Charles III Issuing the Edict Expelling the Jesuits (Carlos III promulgando el edicto de expulsión de los jesuitas)

Charles III Issuing the Edict Expelling the Jesuits (Carlos III promulgando el edicto de expulsión de los jesuitas)
Datos Generales
Cronología
Ca. 1767 - 1770
Ubicación
Unknown location
Dimensiones
47 x 61 cm
Técnica y soporte
Oil on canvas
Reconocimiento de la autoría de Goya
Attributed work
Ficha: realización/revisión
10 Feb 2010 / 23 Nov 2011
Historia

See The Esquilache Riots.

Análisis artístico

This work has aroused less interest than its companion painting, doubtless due to the fact that it has less of an "eyewitness" quality, the famous "I saw it" which is missing from this work.

The surviving photograph of this work makes its interpretation difficult. The scene features King Charles III with his courtiers, all of whom wear overcoats, sashes and medals, and takes place outdoors, as can be seen from the profiles of the buildings in the background on the left. The monarch is protected by a canopy held up by angels while he listens to a man reading something aloud.

The iconography corresponds to the baroque model: showy and dramatic, the work is characterised by a very goyaesque bravery, genius and abandon, as pointed out by Milicua. The author links the long brushstrokes used for the canopy with the drapes Goya painted on the doors of the reliquary in Fuendetodos, Zaragoza.

José Manuel Pita Andrade dedicated various lines to this pair of paintings (see The Esquilache Riots). His analysis leads him to the conclusion that the meeting between the sovereign and his courtiers was perhaps based on the real State Council called by Charles III in order to get to know his councillors' complaints when faced with the people's uprising during the Esquilache Rots. He therefore proposes a new title for the painting: Charles III Listens to his Councillors during the Esquilache Riots, although he is not entirely convinced.

Exposiciones
  • Exposition d’Art Ancien Espagnol
    organized by La demeure historique en el Hôtel Charpentier
    Paris
    1925
Bibliografía
  • Goya, sa vie, son œuvre
    Charles Yriarte
    p. 149
    1867
    Henri Plon
  • Vida y obras de Goya
    Francisco Javier Sánchez Cantón
    pp. 10-11
    1951
    Editorial Peninsular
  • “Anotaciones al Goya joven”
    Paragone
    José Milicua
    pp. 15-17
    V
    1954
  • Vie et ouvre de Francisco de Goya
    Juliet Wilson and Pierre Gassier
    pp. 74, 82, cat. 18
    1970
    Office du livre
  • Goya, 1746 – 1828. Biografía, estudio analítico y catálogo de sus pinturas, 4 vols.
    José Gudiol
    p. 137, cat. 697
    1970
    Polígrafa
  • L’opera pittorica completa di Goya
    Rita de Angelis
    p. 170, cat. 19
    1974
    Rizzoli
  • Goya
    Xavier Salas
    p. 170, cat. 19
    1974
    Carroggio S.A. de Ediciones
  • Francisco de Goya, 4 vols.
    José Camón Aznar
    vol. I, p. 43 y p. 215 (il.)
    1980-1982
    Caja de Ahorros de Zaragoza, Aragón y Rioja
  • Goya y sus primeras visiones de la historia
    José Manuel Pita Andrade
    pp. 15-18
    1989
    Fundación Universitaria Española
Enlaces externos
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