- Cronología
- Ca. 1812 - 1815
- Ubicación
- The Prado National Museum. Madrid, Madrid, Spain
- Dimensiones
- 168 x 215 mm
- Técnica y soporte
- Sanguina sobre papel verjurado azul
- Reconocimiento de la autoría de Goya
- Undisputed work
- Titular
- El Prado National Museum
- Ficha: realización/revisión
- 21 Dec 2010 / 25 May 2023
- Inventario
- (D.4264)
17 (in the bottom left-hand corner)
See Sad forebodings of what is to come.
This drawing, like the set of preparatory drawings for the rest of the engravings in the series, was part of the Carderera collection and subsequently passed to the Prado Museum, where it is now kept.
Engraving no. 64, Carts to the Cemetery, is the last print Goya devoted to the subject of the famine that shook the country, especially between 1811 and 1812. This print is very faithful to the work done by the Aragonese painter in his preparatory drawing. It slightly modifies the pose of the figure in the background, which in the drawing is slightly tilted to one side, and strongly emphasises the architectural structure of the background, which is only sketched in the drawing.
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Francisco de Goya: Maleri, Tegning, GrafikkNasjonalgallerietOslo1996from 10th to April 14th 1996cat. 47
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Goya en tiempos de guerraMuseo Nacional del PradoMadrid2008consultant editor Manuela B. Mena Marqués, from April 14th to July 13th 2008cat. 110
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Madrid2019cat. 125
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MadridMuseo del Prado1954n. 125
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Vie et ouvre de Francisco de GoyaParísOffice du livre1970cat. 1103
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Dibujos y grabados de Goya sobre obras de Velázquez GoyaGoya100Madrid1971cat. 213
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El mundo de Goya en sus dibujosMadridUrbión1979pp. 165-166
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Goya en tiempos de guerraMadridMuseo Nacional del Prado2008pp. 330-333, fig. 101
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MadridMuseo Nacional del Prado2019p. 203
