Francisco de Goya

Fearful folly (preparatory drawing)

Clasificación
Fearful folly (preparatory drawing)
Datos Generales
Cronología
1815 - 1819
Ubicación
The Prado National Museum. Madrid, Madrid, Spain
Dimensiones
234 x 332 mm
Técnica y soporte
Reconocimiento de la autoría de Goya
Documented work
Titular
El Prado National Museum
Ficha: realización/revisión
21 Aug 2021 / 08 Jun 2023
Inventario
D4274
Inscripciones

7 (in composite pencil, lower left)

186 (in pencil, verso, lower centre, lower right-hand corner)

195 (in pencil, verso, lower right corner, bottom right)

6 (in pencil, reverse, upper right corner)

81 (in pencil, reverse side, upper right)

engraved (in pencil, reverse, upper left)

186 [To the right of the inscription "engraved"] (in pencil, verso, upper left)

MP Inventory DRAWINGS No. 195 (stamped, reverse, upper right corner)

Watermark: "MANUEL SERRA" (left half)

Historia

The drawing was inherited in 1828 by Javier Goya, the painter's son, and in 1854 by Mariano Goya y Goicoechea, the artist's grandson. It was subsequently owned by Valentín Carderera (ca. 1861) and Mariano Carderera (ca. 1880). In 1886 it was acquired from Mariano Carderera by the Directorate General of Public Instruction and was assigned to the Prado Museum, where it entered on 12 November 1886.

Análisis artístico

Preparatory drawing for Fearful folly.

 The composition is quite similar to that of the print, although there are some notable differences. The sense of panic pervading the whole scene is greater in this drawing. The figure who is trying to get up is shown here lying on the ground as if dead. His companion kneeling beside him shows an even more frightened and pleading expression. Details of the French uniforms are also more clearly defined in the drawing. In fact, the captain running with the sabre wears an officer's hat on his head that was removed in the plate.

The mass of the background extends beyond the ghost, producing a sense of a great army in defeat. The tree in the landscape is accompanied by some foliage on the right, which is eliminated in the print to emphasise the scale of the tree in relation to the spectral apparition. The only two soldiers visible in the mass of the background seem to be engaged in a duel, oblivious to the ghostly image.

Open lighting exposes us to a daytime scene as opposed to the night-time scene of the print.

Exposiciones
  • Goya. Exposition de l’oeuvre gravé, de peintures, de tapisseries et de cent dix dessins du Musée du
    Bibliothèque nationale de France
    París
    1935
  • Goya. Gemälde Zeichnungen. Graphik. Tapisserien
    Kunsthalle Basel
    Basle
    1953
    from January 23th to April 12th 1953
  • El arte de Goya
    Museo de Arte Occidental de Tokio
    Tokyo
    1971
    from 16th 1971 to January 23th 1972. Exhibited also at the Kyoto Municipal Museum of Art, January 29th to March 15th 1972.
  • 1972
  • Los dibujos de Goya
    Museo Provincial de Zaragoza
    Zaragoza
    1978
    exhibition organized by Museo Provincial de Zaragoza, Ministerio de Cultura and Ayuntamiento de Zaragoza, exhibition guide written by Miguel Beltrán Lloris and Micaela Pérez Sáenz. October 1978
  • Goya: Zeichnungen und Druckgraphik
    Städtische Galerie im Städelschen Kunstintitut
    Frankfurt
    1981
    from February 13th to April 5th 1981
  • Goya. El cuaderno italiano
    Museo Nacional del Prado
    Madrid
    1994
  • Goya. El cuaderno italiano
    Palacio de Revillagigedo
    Gijón
    1994
  • Ydioma universal: Goya en la Biblioteca Nacional
    Biblioteca Nacional
    Madrid
    1996
    from September 19th to December 15th 1996
  • Madrid
    1999
  • Goya
    Galleria Nazionale d’Arte Antica di Palazzo Barberini
    Roma
    2000
    consultant editors Lorenza Mochi Onori and Claudio Strinati. From March 18th to June 18th 2000
  • París
    2001
  • Goya en tiempos de guerra
    Museo Nacional del Prado
    Madrid
    2008
    consultant editor Manuela B. Mena Marqués, from April 14th to July 13th 2008
  • Madrid
    2019
Bibliografía
  • CAMÓN AZNAR, José
    Bibliography']['number
    BarcelonaInstituto Amatller de Arte Hispánico
    1951
    pp. 76-79
  • SÁNCHEZ CANTÓN, Francisco Javier
    Los dibujos de Goya, 2 vols.
    Bibliography']['number
    MadridAmigos del Museo del Prado
    1954
    cat. 383
  • GASSIER, Pierre y WILSON, Juliet
    Vie et ouvre de Francisco de Goya
    Bibliography']['number
    ParísOffice du livre
    1970
    p. 325, cat. 1574
  • GASSIER, Pierre
    Dibujos de Goya, 2 vols
    Bibliography']['number
    BarcelonaNoguer
    1975
    pp. 434-435, cat. 291
  • LAFUENTE FERRARI, Enrique
    El mundo de Goya en sus dibujos
    Bibliography']['number
    MadridUrbión
    1979
    pp. 327-328
  • MATILLA, José Manuel
    Bibliography']['number
    Roma Edizioni de Luca
    2000
    p. 114-115, cat. 34
  • MATILLA, José Manuel
    Bibliography']['number
    MadridMuseo Nacional y Ediciones El Viso
    2008
    pp. 474-475, cat. 175
  • MATILLA, José Manuel y MENA, Manuela B. (comisarios)
    Bibliography']['number
    MadridMuseo Nacional del Prado
    2019
    p. 242
  • Bibliography']['number
Obra relacionada
Volver
Usamos cookies propias y de terceros para mejorar su navegación. Si continua navegando consideramos que acepta el uso de cookies.