- The Prado National Museum. Madrid, Madrid, Spain
- 40.2 x 23.1 cm
- Técnica y soporte
- Oil on canvas
- Reconocimiento de la autoría de Goya
- Undisputed work
- El Prado National Museum
- Ficha: realización/revisión
- 25 Jan 2010 / 24 Sep 2012
- 86 (P03113)
This is the sketch for the painting The Arrest of Christ located in the sacristy of Toledo Cathedral.
In 1867 this work formed part of the collection of Mr Luis Rotondo in Madrid, later passing to the Counts of Sobradiel. It was inherited by Mrs Rosa Cavero and was acquired by the Prado Museum in 1966.
This sketch seems to be a preliminary idea, and it is probable that a more finished, definitive sketch existed, given that this is such a simple composition. Despite this, the sketch records Goya's intention to emphasise lighting in this canvas, and the importance he gives to illuminating the figure of Christ, leaving the other figures in semi-darkness.
The execution is frenetic, based on bold, impulsive brushstrokes which give it a very dynamic aspect. There are no great differences in the composition, and the final painting even retains the empty space left above the heads of the men in this sketch. The main difference between this first idea and the definitive work lies in the colours, which are much more vivid here, in particular the yellow highlight on the figure on the right.
GoyaKoninklijk Kabinet van Schilderijen MauritshuisThe Hauge1970organized by Ministerio de Estado y Asuntos Culturales and Réunion des Musées Nationaux, July 4th to September 13th 1970. Exhibited also at the Musée de l’Orangerie des Tuileries, Paris, October 25th to December 7th 1970, consultant editors Jeannine Baticle and A. B. de Vriescat. 25
Goya y el espíritu de la IlustraciónMuseo Nacional del PradoMadrid1988from October 6th to December 18th 1988. Exhibited also at Museum of Fine Arts, Boston, January 18th to March 26th 1989; The Metropolitan Museum of Art, Nueva York, May 9th to July 16th 1989, Madrid curator Manuela B. Mena Marqués, scientific directors Alfonso E. Pérez Sánchez and Eleanor A. Sayrecat. 29
Goya. El Capricho y la Invención. Cuadros de gabinete, bocetos y miniaturasMuseo Nacional del PradoMadrid1993from November 18th 1993 to February 15th 1994. Exhibited also at the Royal Academy of Arts, London, March 18th to June 12th 1994 and The Art Institute of Chicago, Chicago, July 16th to October 16th 1994, consultant editors Manuela B. Mena Marqués and Juliet Wilson-Bareaucat. 55
Goya. 250 AniversarioMuseo Nacional del PradoMadrid1996consultant editor Juan J. Luna. From March 29th to June 2nd 1996cat. 97
Goya en tiempos de guerraMuseo Nacional del PradoMadrid2008consultant editor Manuela B. Mena Marqués, from April 14th to July 13th 2008cat. 19
Vie et ouvre de Francisco de Goyapp. 147 (il.), 165, 194, cat. 7371970Office du livre
Goya, 1746 – 1828. Biografía, estudio analítico y catálogo de sus pinturas, 4 vols.vol. I, p. 304l, cat. 3971970Polígrafa
L’opera pittorica completa di Goyap. 113, cat. 3621974Rizzoli
Francisco de Goya, 4 vols.vol. II, p. 66 y p. 117 (il.)1980-1982Caja de Ahorros de Zaragoza, Aragón y Rioja
Goya y el espíritu de la Ilustraciónp. 190, cat. 291988Museo del Prado
Goya. El capricho y la invención. Cuadros de gabinete, bocetos y miniaturaspp. 238-240, 366, cat. 55 y p. 239 (il.)1993Museo del Prado
Goya. 250 Aniversariop. 375, cat. 97 y p. 181 (il.)1996Museo del Prado
Goya en tiempos de guerrapp. 164-165, cat. 19 y p. 166 (il.)2008Museo Nacional del Prado