Datos Generales
- Cronología
- 1806 - 1807
- Ubicación
- The Art Institute of Chicago, Chicago, United States
- Dimensiones
- 29.2 x 38.5 cm
- Técnica y soporte
- Oil on wood panel
- Reconocimiento de la autoría de Goya
- Documented work
- Titular
- The Art Institute of Chicago
- Ficha: realización/revisión
- 02 Mar 2010 / 14 Jun 2023
- Inventario
- (1990. 558)
Análisis artístico
For a complete history of the bandit and an artistic analysis of the whole series, see El Maragato Threatens Friar Pedro de Zaldivia with his Gun.
The narrative continues with the moment when Friar Pedro, having pushed away the gun, wrests it from El Maragato's grasp. They tussle for a few moments, during which the enraged bandit, stuttering, threatens to kill the monk. On realizing that the friar is stronger than him, he decides to go and look for the other two guns which had been hanging from the saddle, and runs towards the horse whose head we can see on the other side of the door.
Exposiciones
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Spanish Paintings from El Greco to GoyaThe Metropolitan Museum of ArtNew York1928consultant editor Bryson Borroughs. From February 17th to April 1st 1928cat. 9
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The art of Goya. Paintings, drawings and printsThe Art Institute of ChicagoChicago1941from January 30th to March 2nd 1941cat. 73
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Goya. El Capricho y la Invención. Cuadros de gabinete, bocetos y miniaturasMuseo Nacional del PradoMadrid1993from November 18th 1993 to February 15th 1994. Exhibited also at the Royal Academy of Arts, London, March 18th to June 12th 1994 and The Art Institute of Chicago, Chicago, July 16th to October 16th 1994, consultant editors Manuela B. Mena Marqués and Juliet Wilson-Bareaucat. 86
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Goya: Order and disorderMuseum of Fine ArtsBoston2014cat. 185
Bibliografía
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Noticia exacta de todo lo executado por Pedro Piñero, alias el Maragato, desde que se escapó de presidio, hasta que fue preso y herido por el Padre Fray Pedro de Valdivia, religioso lego de la Orden de San Pedro de Alcántara [Madrid, 1806]Bibliography']['numberreimp. Imprenta de la calle de la Cintería1806
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L'œuvre peint de Goya. 4 volsBibliography']['numberParís1928-1950vol. I, p. 246, cat. 217
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Cómo vivía GoyaArchivo Español del ArteBibliography']['number1946p. 86, 106
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Goya’s source for the Maragato seriesGazette des Beaux-ArtsBibliography']['number1958pp. 298-304
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Vie et ouvre de Francisco de GoyaBibliography']['numberParísOffice du livre1970pp. 157, 201, 374, cat. 866
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BarcelonaPolígrafa1970vol. I, p. 331, cat. 513
Bibliography']['number
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L’opera pittorica completa di GoyaBibliography']['numberMilanRizzoli1974p. 120, cat. 458
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Francisco de Goya, 4 vols.Bibliography']['numberZaragozaCaja de Ahorros de Zaragoza, Aragón y Rioja1980-1982vol. III, p. 155 y p. 204 (il.)
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Goya. El capricho y la invención. Cuadros de gabinete, bocetos y miniaturasBibliography']['numberMadridMuseo del Prado1993pp. 292-293, 376, cat. 86 y p. 296 (il.)
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Goya: Order & DisorderBibliography']['numberBostonMuseum of Fine Arts Boston Publications2014p. 280