Francisco de Goya

Moses and the Brazen Serpent (Moisés y la serpiente de bronce)

Clasificación
Datos Generales
Cronología
Ca. 1775 - 1780
Ubicación
Unknown location
Dimensiones
Desconocidas
Técnica y soporte
Oil on canvas
Reconocimiento de la autoría de Goya
Documented work
Ficha: realización/revisión
10 Jan 2010 / 27 Jun 2017
Historia

This work, along with the others in the series, belonged to the collection of the Duke and Duchess of Aveyro, in Madrid. Its current whereabouts are unknown.

Análisis artístico

The story of Moses and the brass serpent tells of how the people of Israel, weary and starving during their long walk to the Promised Land, spoke out against God and his prophet. The Lord sent serpents, which bit and killed many of the Hebrews. Sorry for their actions, the people asked Moses for forgiveness, and God ordered him to fashion a serpent and to fix it on a pole, so that whenever one of the people was bitten by a snake, they would be saved simply by looking at this brass animal (Numbers 21:4-9).

The painting represents this biblical scene in a broad, open space although not quite in a desert, since there are some trees at the edges of the composition. Moses, dressed in a tunic, stands in the centre, pointing towards the pole with the image of the serpent, while some Hebrews who have been bitten are rolling on the floor in pain and turning to look at the brass serpent.

This painting and its companion pieces appeared in a publication by Gudiol and are only known through photographs, which makes their correct attribution more difficult. The simplified shapes and the brushstrokes effects of this work are not incongruous with Goya's technique, although they also indicate that these works could in fact be sketches.

The use of empty space suggests that this painting may have been made during the first years that Goya spent in Madrid, with the naturalism of the scenery recalling the backgrounds that appear in the artist's earliest tapestry cartoons.

Bibliografía
  • Goya, 1746 – 1828. Biografía, estudio analítico y catálogo de sus pinturas, 4 vols.
    José Gudiol
    vol. I, p. 251, cat. 104
    1970
    Polígrafa
  • Vie et ouvre de Francisco de Goya
    Juliet Wilson and Pierre Gassier
    pp. 77, 91, cat. 164
    1970
    Office du livre
  • L’opera pittorica completa di Goya
    Rita de Angelis
    p. 93, cat. 59
    1974
    Rizzoli
  • Francisco de Goya, 4 vols.
    José Camón Aznar
    vol. I, p. 68 y p. 256 (il.)
    1980-1982
    Caja de Ahorros de Zaragoza, Aragón y Rioja
Enlaces externos
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