- Cronología
- Ca. 1780 - 1781
- Ubicación
- Museum of Zaragoza, Zaragoza, Spain
- Dimensiones
- 67 x 46 cm
- Técnica y soporte
- Oil on canvas
- Reconocimiento de la autoría de Goya
- Documented work
- Titular
- Museo de Zaragoza
- Ficha: realización/revisión
- 24 Aug 2022 / 12 Dec 2024
- Inventario
- 10459
Acquired by the Zaragoza Museum in 1925. (NIG 10459).
From December 5th, 2024, and while the Zaragoza Museum remains closed for works, the painting is part of the exhibition 'Goya. From the Museum to the Palace' in the Aljafería Palace in Zaragoza.
As in the Transit of St. Anthony Abbot (1), it is another reduction, sketchy version of the altarpiece painted by Corrado Giaquinto for the church of San Giovanni Calibita in Rome. A number of attributions of this work have been suggested to Antonio González Velázquez, Manuel Bayeu, Francisco Bayeu and Goya José de la Mano first proposed the latter, Goya, in 1990. Following his detailed study at the Museo del Prado (2015), the attribution to Goya stands today.
It is painted on two pieces of linen cloth sewn together. It is painted on two pieces of linen cloth sewn together.
Restoration carried out by the Prado Museum in 2015.
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Realidad e imagen. Goya 1746 – 1828Museo de ZaragozaZaragoza1996consultant editor Federico Torralba Soriano. From October 3th to December 1st 1996
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Zaragoza2018
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Zaragoza2021
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Goya. From the Museum to the PalaceZaragoza2024cat.135
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Madrid19-8-1990p. 44
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Realidad e imagen. Goya 1746 – 1828MadridGobierno de Aragón y Electa España1996pp. 70-71
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Museo de Zaragoza. GuíaZaragozaGobierno de Aragón2003p. 336
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Goya. Traveler and artist of the Grand Tour (exp. cat.)ZaragozaGobierno de Aragón2021pp. 154-157
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Goya. From the Museum to the PalaceZaragozaZitro Comunicación2024pp.134-135
