- 1812 - 1820
- The Prado National Museum. Madrid, Madrid, Spain
- 133 x 186 mm
- Técnica y soporte
- Sanguine on paper
- Reconocimiento de la autoría de Goya
- Undisputed work
- El Prado National Museum
- Ficha: realización/revisión
- 24 Nov 2010 / 23 May 2023
60 (lower left-hand corner).
This drawing, just like the set of preparatory drawings made for the other prints in the series, formed part of the Carderera collection before arriving at the Prado Museum, where it is currently housed.
We do not know why Goya wrote the number 60 in the lower left-hand corner. It may have served as a reference number of some kind.
Using light traces of sanguine, Goya has traced the outline of the kneeling man, his arms flung out to his sides, who was later to appear in the first print in the Disasters of War series.
When compared with the final print, we see some differences, chiefly concerning the way in which the artist has treated the background of the scene. In the drawing, this area is much paler than in the print, and Goya has sketched out a landscape here which is practically imperceptible in the print. On the left-hand side of the drawing, in the distance, we can see some buildings which were not carried over to the print. Furthermore, in the upper left-hand corner of the drawing there is an area of brightness, a lingering shred of hope, whilst the monstrous figure that we can just make out in the print is, in the preparatory drawing, even less evident.
As for the kneeling man, Goya has covered his chest with a gown in the drawing, whilst in the print he has opted to show much of the torso laid bare, perhaps in an attempt to lend more drama to the pose.
In short, a comparison of the two works allows us to see how, in the final print, Goya set out to heighten the image's sinister, oppressive side.
Goya en tiempos de guerraMuseo Nacional del PradoMadrid2008consultant editor Manuela B. Mena Marqués, from April 14th to July 13th 2008cat.80
Goya luces y sombrasCaixaForumBarcelona2012consultant editors José Manuel Matilla and Manuela B. Marqués. From March 16th to June 24th 2012cat.90
MadridMuseo del Prado1954n. 83
Vie et ouvre de Francisco de GoyaBibliography']['numberParísOffice du livre1970cat. 994
Dibujos de Goya, 2 volsBibliography']['numberBarcelonaNoguer1975cat. 167
El mundo de Goya en sus dibujosBibliography']['numberMadridUrbión1979pp. 135-136
MadridMuseo Nacional del Prado2019p. 363