- Cronología
- 1815
- Ubicación
- Private collection, Madrid, Spain
- Dimensiones
- 59 x 43 cm
- Técnica y soporte
- Oil on canvas
- Reconocimiento de la autoría de Goya
- Documented work
- Titular
- Private collection
- Ficha: realización/revisión
- 19 Apr 2010 / 16 Jun 2023
This is a preparatory study for the final portrait. It was in the collection of the Marquis of La Torrecilla, followed by that of the Count and Countess of Villagonzalo, and was finally inherited by its current owners.
In this oil sketch of the head of the Duke of San Carlos we can see in greater detail the sitter's physiognomy and its characteristic features such as the sharp, curved nose, the prominent lower jaw and the short-sightedness expressed by his strained gaze. Goya was extremely careful to represent the duke with realism whilst at the same time smoothing out his defects, which is probably why he made this preparatory study of the subject's head. The short bust portrait we see here pays little attention to the details of the duke's dress coat or the medals and other elements, which are all depicted only sketchily, if at all.
The sketch is very similar in appearance to those made for the group portrait The Family of Charles IV, with the reddish primer left clearly visible.
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Goya 1900Ministerio de Instrucción Pública and Bellas ArtesMadrid1900consultant editors Aureliano de Beruete, Alejandro Ferrant, Marqués de Pidal and Ricardo Velázquez. May 1900cat. 83
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Spanish paintingsThe Royal Academy of ArtsLondon1920cat.125
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Pinturas de GoyaMuseo Nacional del PradoMadrid1928consultant editor Fernando Álvarez de Sotomayor. From Apri to -May 1928cat. 37
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Goya en las colecciones madrileñasMuseo Nacional del PradoMadrid1983consultant editor Enrique Lafuente Ferrari. From April 19th to June 20th 1983cat. 45
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Goya nelle collezioni private di SpagneVilla FavoritaLugano1986consultant editor Marta Medina. From June 15th to October 15th 1986cat. 43
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Goya: The Condesa de Chinchón and other Paintings, Drawings, and Prints from Spanish and AmericanThe National Gallery of ArtWashington1986
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Goya (1746 – 1828)Galleria Internazionale d’Arte Moderna di Ca’PesaroVenecia1989consultant editor Antonio Fortún Paesa. From May 7th to July 4th 1989cat. 48
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GoyaLa Lonja, Torreón Fortea y Museo Pablo GargalloZaragoza1992consultant editor Julián Gállegocat. 47
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GoyaNationalmuseumStockholm1994consultant editors Juan J. Luna and Görel Cavalli-Björkman. From October 7th 1994 to January 8th 1995cat. 45
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Goya en las colecciones españolasSala de Exposiciones del BBVAMadrid1995consultant editor Juan J. Luna. From December 14th 1995 to February 17th 1996cat. 43
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L'œuvre peint de Goya. 4 volsBibliography']['numberParís1928-1950vol. II, p. 199, cat. 488
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Vie et ouvre de Francisco de GoyaBibliography']['numberParísOffice du livre1970p. 297, cat. 1543
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Bibliography']['number
BarcelonaPolígrafa1970vol. I, p. 362, cat. 634
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L’opera pittorica completa di GoyaBibliography']['numberMilanRizzoli1974p. 129, cat. 589
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Francisco de Goya, 4 vols.Bibliography']['numberZaragozaCaja de Ahorros de Zaragoza, Aragón y Rioja1980-1982vol. IV, p. 38
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GoyaBibliography']['numberZaragozaElecta1992p. 126, cat. 47 y p. 127 (il.)
