Francisco de Goya

Monk Talking to an Old Woman (Fraile hablando con una vieja)

Monk Talking to an Old Woman (Fraile hablando con una vieja)
Datos Generales
Cronología
1824 - 1825
Ubicación
Princeton University Art Museum. New Jersey, Nueva Jersey, United States
Dimensiones
5.7 x 5.4 cm
Técnica y soporte
Watercolor on ivory
Reconocimiento de la autoría de Goya
Undisputed work
Titular
Princeton University Art Museum
Ficha: realización/revisión
14 May 2010 / 28 Jul 2017
Inventario
348 (y1985-6)
Historia

See Maja and Celestina.

This miniature belonged to the collection of Edward Habich in Cassel. He put the painting up for sale in Stuttgart on 27 and 28 April 1899, and it subsequently belonged to the following collections: William Rothenstein, John Quinn, P. Lorillard, E. John Heidsieck, Robert Maisel and Richard L. Feigen & Company. When the latter owners put the painting up for sale again it was acquired by the Fowler McCormik collection now belonging to the museum where it is housed today.

Análisis artístico

For a complete artistic and technical analysis of the whole series, see Maja and Celestina.

This piece depicts a monk and an old woman talking together. The woman's head is covered by a blue veil or scarf. She stares horrified at the viewer as she backs away. By her side, the monk makes a face that suggests he is shouting. The gesture is reminiscent of that made by the monk on the right-hand side of the painting Two Monks belonging to the Black Paintings. As in the case of the paintings of the Quinta del Sordo, these characters are also ugly, disagreeable, and disturbing.

Exposiciones
  • Goya. El Capricho y la Invención. Cuadros de gabinete, bocetos y miniaturas
    Museo Nacional del Prado
    Madrid
    1993
    from November 18th 1993 to February 15th 1994. Exhibited also at the Royal Academy of Arts, London, March 18th to June 12th 1994 and The Art Institute of Chicago, Chicago, July 16th to October 16th 1994, consultant editors Manuela B. Mena Marqués and Juliet Wilson-Bareau
  • Goya’s last Works
    The Frick Art Collection
    New York
    2006
    consultant editors Jonathan Brown and Susan Grace Galassi. From February 22nd to May 14th 2006
Bibliografía
  • Goya’s Bordeaux miniatures, , , Boston, 1966
    Museum of Fine Arts Boston Bulletin
    Eleanor Sayre
    p. 118, cat. 13
    LXIV n.337
    1966
  • Vie et ouvre de Francisco de Goya
    Juliet Wilson and Pierre Gassier
    pp. 357, 362, cat. 1685
    1970
    Office du livre
  • Goya, 1746 – 1828. Biografía, estudio analítico y catálogo de sus pinturas, 4 vols.
    José Gudiol
    vol. I, p. 386, cat. 748
    1970
    Polígrafa
  • L’opera pittorica completa di Goya
    Rita de Angelis
    p. 136, cat. 676
    1974
    Rizzoli
  • Francisco de Goya, 4 vols.
    José Camón Aznar
    vol. IV, p. 219
    1980-1982
    Caja de Ahorros de Zaragoza, Aragón y Rioja
  • Goya. El capricho y la invención. Cuadros de gabinete, bocetos y miniaturas
    Manuela B. (comisaria) Mena Marqués and Juliet (comisaria) Wilson-Bareau
    pp. 324-325, 381, cat. 108 y p. 328 (il.
    1993
    Museo del Prado
  • Goya’s last works
    Jonathan Brown and Susan Grace Galassi
    p. 130, cat. 14 y p. 131 (il.)
    2006
    The Frick Collection and Yale University Press
Enlaces externos
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