Francisco de Goya

Seated Majo and Maja (Majo y maja sentados)

Seated Majo and Maja (Majo y maja sentados)
Datos Generales
Cronología
1824 - 1825
Ubicación
Nationalmuseum, Stockholm, Sweden
Dimensiones
8.8 x 8.3 cm
Técnica y soporte
Watercolor on ivory
Reconocimiento de la autoría de Goya
Undisputed work
Titular
Nationalmuseum
Ficha: realización/revisión
16 May 2010 / 28 Jul 2017
Inventario
343 (NMB 1879)
Historia

See Maja and Celestina.

This piece was in the Keir collection of Sir William Stirling-Maxwell, who probably acquired it, together with another miniature, Half-Naked Youth Reclining on a Rock, for his collection of Spanish art. It remained in the Stirling family for several years until being put on sale at Sotheby's of London on 3 July 1963 (lot no. 63). It went to the Nationalmuseum, in Stockholm.

Análisis artístico

For the artistic and technical analysis of the complete series, see Maja and Celestina.

The figures of the majo and the maja shown sitting together in this miniature are robust, especially the man, whose bulk is increased by the cape with which he covers himself, leaving only his eyes uncovered. He is painted only in black, whilst the maja at his side has some touches of colour: the pink of her cheeks and the bluish hue of her shawl.

Comparisons tend to be made between this work and another watercolour, dated to around the same period, Majos Strolling, due to the similar theme and the pose of one of the majos in the drawing, who is also seated and wears similar clothing.

Exposiciones
  • Exhibition of Spanish Painting
    Brooklyn Museum
    New York
    1935
    from October 4th to 31st 1935
  • From Greco to Goya
    The Spanish Art Gallery
    London
    1938
  • Goya (1746-1828). Peintures-Dessins-Gravures
    Centre Cultural du Marais
    Paris
    1979
    consultant editors Jacqueline et Maurice Guillard
  • Goya. El Capricho y la Invención. Cuadros de gabinete, bocetos y miniaturas
    Museo Nacional del Prado
    Madrid
    1993
    from November 18th 1993 to February 15th 1994. Exhibited also at the Royal Academy of Arts, London, March 18th to June 12th 1994 and The Art Institute of Chicago, Chicago, July 16th to October 16th 1994, consultant editors Manuela B. Mena Marqués and Juliet Wilson-Bareau
  • Goya. La imagen de la mujer
    Museo Nacional del Prado
    Madrid
    2001
    from October 30th 2001 to February 10th 2002. Exhibitied also at the National Gallery of Art, Washington, March 10th to June 2nd 2002, consultant editor Francisco Calvo Serraller
Bibliografía
  • Goya’s Bordeaux miniatures, , , Boston, 1966
    Museum of Fine Arts Boston Bulletin
    Eleanor Sayre
    p. 120, cat. 19
    LXIV n.337
    1966
  • Vie et ouvre de Francisco de Goya
    Juliet Wilson and Pierre Gassier
    pp. 357, 362, cat. 1689 y p. 343 (il.)
    1970
    Office du livre
  • Goya, 1746 – 1828. Biografía, estudio analítico y catálogo de sus pinturas, 4 vols.
    José Gudiol
    vol. I, p. 385, cat. 738
    1970
    Polígrafa
  • L’opera pittorica completa di Goya
    Rita de Angelis
    p. 136, cat. 681
    1974
    Rizzoli
  • Francisco de Goya, 4 vols.
    José Camón Aznar
    vol. IV, p. 219
    1980-1982
    Caja de Ahorros de Zaragoza, Aragón y Rioja
  • Goya. El capricho y la invención. Cuadros de gabinete, bocetos y miniaturas
    Manuela B. (comisaria) Mena Marqués and Juliet (comisaria) Wilson-Bareau
    pp. 324-325, 381, cat. 106 y p. 327 (il.
    1993
    Museo del Prado
  • Goya, la imagen de la mujer
    Francisco (comisario) Calvo Serraller
    cat. 27 y p. 171 (il.)
    2001
    Museo Nacional del Prado y Fundación Amigos del Museo del Prado
Enlaces externos
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