Francisco de Goya

María Teresa de Borbón y Vallabriga

Clasificación
María Teresa de Borbón y Vallabriga
Datos Generales
Cronología
1783
Ubicación
National Gallery of Art. Washington, Washington, United States
Dimensiones
134.5 x 117.5 cm
Técnica y soporte
Oil on canvas
Reconocimiento de la autoría de Goya
Undisputed work
Titular
Ailsa Mellon Bruce Collection
Ficha: realización/revisión
18 Jan 2010 / 06 Aug 2015
Inventario
265 (1970.17.123)
Inscripciones

LA S. D. MARIA TERESA / HIXA DEL SER. INFANTE / D. LUIS / DE EDAD DE DOS AÑOS Y NUEVE MESES ("The Señora Doña María Teresa, daughter of the Señor Infante Don Luis, at the age of two years and nine months", in the lower left-hand corner).

Historia

This work came from the Palace of Boadilla del Monte (Madrid), which was the property of the Bourbon y Vallabriga family.

In 1904 it entered the collection of the Rúspoli family, of Italian origin. Mr Mellon acquired it from the descendants of this family.

Análisis artístico

María Teresa de Bourbon y Vallabriga was born in 1780. María Teresa de Bourbon y Vallabriga (1780-1820) was the daughter of the Infante Don Luis de Bourbon, brother of Charles III, and of Doña María Teresa de Vallabriga y Rozas. She spent the first five years of her life in Arenas de San Pedro (Ávila), where Goya painted her on at least two occasions. This is considered to be among Goya's finest portraits of children.

The full-length portrait shows the girl on a terrace in front of the Sierra de Gredos mountains. She is wearing very grown-up clothes: a dress in the court style and a white lace mantilla that covers much of her small body. A blue ribbon with a pink rose adorns her hair net. We can see her bright blue shoes, decorated with golden buckles, poking out from underneath the bottom of her skirt. Her rosy face, with red lips and shining eyes, gives her a very healthy appearance. Beside her is a small poodle, painted in a masterly fashion with long, sweeping brushstrokes.

Just as occurs with the companion piece to this painting, the portrait of the subject's brother, Luis María de Bourbon y Vallabriga, we can appreciate certain Velázquez-like touches in the technical and iconographic aspects of this work.

Exposiciones
  • Goya. La imagen de la mujer
    Museo Nacional del Prado
    Madrid
    2001
    from October 30th 2001 to February 10th 2002. Exhibitied also at the National Gallery of Art, Washington, March 10th to June 2nd 2002, consultant editor Francisco Calvo Serraller
  • Goya: The Condesa de Chinchón and other Paintings, Drawings, and Prints
    The National Gallery of Art
    Washington
    1986
    Goya: The Condesa de Chinchón and other Paintings, Drawings, and Prints from Spanish and American Private Collections and the National Gallery of Art.
  • Goya y el infante don Luis: el exilio y el reino.
    Palacio Real, Madrid
    Madrid
    2012
    Arte y ciencia en la época de la ilustración española. Responsable científico Francisco Calvo Serraller. Del octubre de 2012 a enero de 2013.
  • Goya: Order and disorder
    Museum of Fine Arts
    Boston
    2014
Bibliografía
  • L'œuvre peint de Goya. 4 vols
    Xavier Desparmet Fitz-Gerald
    vol. II, p.15, cat. 294
    1928-1950
  • Vie et ouvre de Francisco de Goya
    Juliet Wilson and Pierre Gassier
    p. 94, cat. 209
    1970
    Office du livre
  • Goya, 1746 – 1828. Biografía, estudio analítico y catálogo de sus pinturas, 4 vols.
    José Gudiol
    vol. I, p. 258, cat. 149
    1970
    Polígrafa
  • Francisco de Goya, 4 vols.
    José Camón Aznar
    vol. I, p. 151 y p. 274 (il.)
    1980-1982
    Caja de Ahorros de Zaragoza, Aragón y Rioja
  • Goya, la imagen de la mujer
    Francisco (comisario) Calvo Serraller
    p.178, cat. 30
    2001
    Museo Nacional del Prado y Fundación Amigos del Museo del Prado
Enlaces externos
Volver
Usamos cookies propias y de terceros para mejorar su navegación. Si continua navegando consideramos que acepta el uso de cookies.