Francisco de Goya

Saint Isidore the Labourer (San Isidro Labrador)

Clasificación
Saint Isidore the Labourer (San Isidro Labrador)
Datos Generales
Cronología
Ca. 1778 - 1782
Ubicación
Biblioteca Nacional, Madrid, España, Madrid, Spain
Dimensiones
230 x 168 mm
Técnica y soporte
Etching and drypoint on laid paper. Plate with corners cut off. The print has been retouched by hand
Reconocimiento de la autoría de Goya
Undisputed work
Titular
National Library of Spain
Ficha: realización/revisión
07 Nov 2010 / 24 Jun 2022
Inventario
INVENT/45621
Inscripciones

Signed Goya (lower left-hand corner).

Historia

This one-off proof came from the Valentín Carderera Collection and is now in the National Library in Madrid. The reason that only this one proof has survived is that Goya discarded the plate after seeing that he had failed to resolve the foul bite problem in the background.

Análisis artístico

This etching, belonging to the series on religious subjects, shows Goya handling the technique of etching more deftly than in The Flight to Egypt. Here we see Madrid's patron saint kneeling to pray, with his arms held out in the shape of the cross, and the flank of an animal off to one side. Behind, Goya has engraved a yoke of oxen led by an angel, whose wings can only just be made out in the impression. The figure of the saint is lit up by a ray of light that falls down from above. San Isidore is looking upwards, his eyes turned to heaven in an attitude of prayer, in keeping with the position of his arms and recalling the painting Christ on the Mount of Olives as well as the first engraving in the Disasters of War series. Goya has rendered the saint's clothing using short horizontal lines which become more intense in the centre of his body and on his left shoulder.

Dating this work presents some difficulties but two pieces of information allow us to establish its time of execution to around the end of the 1770s. The first clue is that it was on exactly the 15th November 1779 that, according to the Gazeta de Madrid, the remains of Saint Isidore the Labourer were transferred to the church of El Sacramento in Madrid. The second piece of information that points to Goya having made this work around that time is the discovery, on the back of the proof ofSaint Isidore the Labourer, of a black pencil study of Velázquez's portrait of the Infante Balthasar Charles on horseback. Goya made a print of this work by the Sevillian master which was published in December 1778 and it is likely that he would have made a preliminary drawing first and then reused it later for the first proof of Saint Isidore.

Conservación

This etching has recently undergone restoration work and been removed from the support which it was previously stuck to. This made it possible to view the sketch that Goya made of Velázquez’s equestrian portrait of Prince Balthasar Charles.

Exposiciones
  • The changing image: prints by Francisco de Goya
    Museum of Fine Arts
    1974
    From October to December 1974. Exhibited also at The National Gallery of Canada, Ottawa, January to March 1975
  • Goya. Das Zeitalter der Revolucionen. Kunst um 1800 (1980 – 1981)
    Hamburger Kunsthalle
    Hamburg
    1980
  • Goya. El Capricho y la Invención. Cuadros de gabinete, bocetos y miniaturas
    Museo Nacional del Prado
    Madrid
    1993
    from November 18th 1993 to February 15th 1994. Exhibited also at the Royal Academy of Arts, London, March 18th to June 12th 1994 and The Art Institute of Chicago, Chicago, July 16th to October 16th 1994, consultant editors Manuela B. Mena Marqués and Juliet Wilson-Bareau
  • Goya y Zaragoza (1746-1775). Sus raíces aragonesas
    Museo Goya. Colección Ibercaja
    Zaragoza
    2015
Bibliografía
  • Aureliano de Beruete Y Moret
    Goya, grabador
    MadridBlass S.A.
    1918
    cat. 3
  • Tomás Harris
    Goya engravings and lithographs, vol. I y II.
    Bruno Cassirer
    1964
    cat.2
  • GASSIER, Pierre y WILSON, Juliet
    Vie et ouvre de Francisco de Goya
    ParísOffice du livre
    1970
    cat. 53
  • SANTIAGO, Elena M. (coordinadora)
    Catálogo de las estampas de Goya en la Biblioteca Nacional
    MadridMinisterio de Educación y Cultura, Biblioteca Nacional
    1996
    cat.2
  • Manuela B. Mena Marqués and VVAA
    Goya y Zaragoza (1746-1775). Sus raíces aragonesas
    ZaragozaFundación Goya en Aragón, Ibercaja y Gobierno de Aragón
    2015
    pp. 164-165
Enlaces externos
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