- Cronología
- Ca. 1772
- Ubicación
- Parish church of San Juan Bautista, Remolinos (Zaragoza), Spain
- Dimensiones
- 192 x 96 cm
- Técnica y soporte
- Oil on canvas
- Reconocimiento de la autoría de Goya
- Attributed work
- Titular
- Parish church of San Juan Bautista in Remolinos
- Ficha: realización/revisión
- 07 Jan 2010 / 14 Apr 2021
Sn. Jerónimo (lower section)
See Saint Ambrose.
The painting denominated Saint Jerome does not depict him as a penitent or cardinal as is customary; rather, he is shown as a bishop. In fact, the figure corresponds more closely to that of Saint Augustine which appears in other series dealing with the same theme in Muel and Calatayud in Zaragoza. He is wearing a miter and a bright blue cope decorated with gold edging and a pale green lining. His hands are open, and he appears to be praying as he looks heavenwards. The angel at his side, dressed in a bright yellow cloak, is holding his crosier.
For a history of the whole series, see Saint Ambrose.
The whole series underwent restoration work carried out by Teresa Grasa and Carlos Barboza in 1989 with a view to their inclusion in the Venetian exhibition of Goya's work.
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Goya (1746 – 1828)Galleria Internazionale d’Arte Moderna di Ca’PesaroVenecia1989consultant editor Antonio Fortún Paesa. From May 7th to July 4th 1989cat. 7
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Joyas de un patrimonioPalacio de SástagoZaragoza1990organized by Diputación Provincial de Zaragoza, consultant editors María del Carmen Lacarra Ducay, Carmen Morte García and José M. Valero Suárez. From December 28th 1990 to March 3th 1991cat. 13
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Pabellón de Aragón de la Exposición Universal de SevillaExposición Universal de SevillaSevilla1992consultant editor Federico Torralba Soriano.pp. 200-209
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Goya. Composiciones y figuras, t.IIMadridedición compendiada por Francisco Javier Sánchez Cantón: Madrid, Blass, 19281917t. II. pp. 14, 160, cat. 22
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“Goya. Cómo se hizo gran pintor”La Academia Cinegion.31923pp. 25-27
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Vie et ouvre de Francisco de GoyaParísOffice du livre1970pp. 74, 83, cat. 41
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vol. I, p. 239, cat. 28
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L’opera pittorica completa di GoyaMilanRizzoli1974p. 90, cat. 32
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La fecha de construcción de la iglesia parroquial de RemolinosSeminario de Arte AragonésXXXIIZaragoza1980pp. 91-93
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Francisco de Goya, 4 vols.ZaragozaCaja de Ahorros de Zaragoza, Aragón y Rioja1980-1982vol. I, p. 59 y p. 236 (il.)
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Goya y Aragón. Familia, amistades y encargos artísticoscol. Col. Mariano de Pano y RuataZaragozaCaja de Ahorros de la Inmaculada de Aragón1995pp. 98, 99 y p. 102 (il.)
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Goya y AragónGoyaBarcelonaGalaxia Gutenberg S.A. y Círculo de Lectores S.A.2001pp. 15-30
