Francisco de Goya

Datos Generales
Cronología
Ca. 1797 - 1798
Ubicación
The Prado National Museum. Madrid, Madrid, Spain
Dimensiones
202 x 141 mm
Técnica y soporte
Sanguina sobre trazos de lápiz negro y sobre papel
Reconocimiento de la autoría de Goya
Documented work
Titular
El Prado National Museum
Ficha: realización/revisión
22 Nov 2010 / 26 Jun 2023
Inventario
(D. 4209)
Inscripciones

54 (in composite pencil, in the recto, lower left-hand corner)

21 (superimposed on the previous figure, in pencil, brown ink).

9 // [On a sticker, upper margin, enclosed in a circle:]

51 (in pencil; recto)

Historia

On the origin of this and other preparatory drawings for The Caprices, see the commentary on the first of them, corresponding to Caprice number 1 (Francisco de Goya y Lucientes, painter), and on the one corresponding to Caprice 3 (The bogeyman is Coming).

Line of provenance of this drawing: Javier Goya; Mariano Goya, 1854; Valentín Carderera, ca. 1861; Mariano Carderera, 1880; Prado Museum, 1886.

Análisis artístico

The preparatory drawing for engraving no. 9, Tantalus from the serie The Caprices, shows some differences with respect to the print. The most significant is the way in which the background of the scene is approached. In the engraving, behind the two figures in the image, we can see the surface of a pyramid in which the stone ashlars of which it is composed have been differentiated. However, in the sketch that precedes the engraving, three diagonal lines are drawn that seem to allude to the pyramid although, if it were not for the existence of the engraving, we would not be able to indicate the presence of this architectural structure. Two of these lines could have been made to conceal the cut in the paper.

Conservación
El papel fue cortado en cuatro trozos y posteriormente pegado de nuevo sobre otro papel.
Exposiciones
  • Goya. Drawings, Etchings and Lithographs
    Goya. Drawings
    London
    1954
    from June 12th to July 25th 1954
  • Madrid
    2019
Bibliografía
  • D'ACHIARDI, Pierre
    Bibliography']['number
    Roma D.Anderson: Editeur
    1908
    p. 19, n. 9
  • SÁNCHEZ CANTÓN, Francisco Javier
    Los Caprichos de Goya y sus dibujos preparatorios
    Bibliography']['number
    BarcelonaInstituto Amatller de Arte Hispánico
    1949
    p. 72
  • LÓPEZ-REY, José
    Goya’s Caprichos. Beauty, Reason and Caricature
    Bibliography']['number
    Nueva JerseyPrinceton University Press
    1953
    p. 190, fig. 101
  • SÁNCHEZ CANTÓN. Francisco Javier
    Bibliography']['number
    MadridMuseo del Prado
    1954
    n. 8
  • GASSIER, Pierre y WILSON, Juliet
    Vie et ouvre de Francisco de Goya
    Bibliography']['number
    ParísOffice du livre
    1970
    p. 177, cat. 468
  • KÜHN-NIELSEN, P.
    Goya’s Tantalo’: Genesis of a Composition
    Master Drawings
    Bibliography']['number
    New YorkSummer
    1974
    pp. 151-156
  • GASSIER, Pierre
    Dibujos de Goya, 2 vols
    Bibliography']['number
    BarcelonaNoguer
    1975
    p. 109, cat. 72
  • LAFUENTE FERRARI, Enrique
    Los Caprichos de Goya
    col. Serie punto y línea
    Bibliography']['number
    BarcelonaGustavo Gili
    1977
    p. 31
  • LAFUENTE FERRARI, Enrique
    Goya, dibujos
    Bibliography']['number
    MadridSilex
    1980
    pp. 88-89, cat. 19
  • BLAS BENITO, Javier, MATILLA RODRÍGUEZ, José Manuel y MEDRANO, José Miguel
    El libro de los caprichos: dos siglos de interpretaciones (1799-1999). Catálogo de los dibujos, pruebas de estado, láminas de cobre y estampas de la primera edición
    Bibliography']['number
    MadridMuseo Nacional del Prado
    1999
    p. 93
  • MATILLA, José Manuel y MENA, Manuela B. (comisarios)
    Bibliography']['number
    MadridMuseo Nacional del Prado
    2019
    p. 138
  • Bibliography']['number
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