Francisco de Goya

Datos Generales
Cronología
Ca. 1797 - 1798
Ubicación
The Prado National Museum. Madrid, Madrid, Spain
Dimensiones
200 x 141 mm
Técnica y soporte
Sanguine on paper
Reconocimiento de la autoría de Goya
Documented work
Titular
El Prado National Museum
Ficha: realización/revisión
13 Aug 2014 / 26 Jun 2023
Inventario
(D. 4216)
Inscripciones

33 (in pencil. recto. recto. lower left corner)

20 (in pencil. recto. recto. lower left corner)

Brabo (in pen. Obverse. Lower left corner)

Watermark: [Shield with helmet, bird inside, and underneath "D.N J.PH GISBERT / ALCOY" (upper half)].

Historia

On the origin of this and other preparatory drawings for The Caprices, see the commentary on the first of them, corresponding to Caprice number 1 (Francisco de Goya y Lucientes, painter), and on the one corresponding to Caprice 3 (The bogeyman is Coming).

Line of provenance of this drawing: Javier Goya; Mariano Goya, 1854; Valentín Carderera, ca. 1861; Mariano Carderera, 1880; Prado Museum, 1886.

Análisis artístico

Preparatory drawing for Caprice nº 38, Bravissimo!

The composition is very similar to that of the print in which a monkey plays the guitar upside down, on the side where the strings are not. In front of him, a donkey enjoys the recital, while behind him two characters, barely sketched, laugh and applaud the spectacle they are watching.

Goya worked superficially and quickly on this sketch and constructed the figures with just a few strokes that were enough to outline the composition and to establish the characteristics of the figures in the scene, all of which were later transferred to copper.

Exposiciones
  • El arte de Goya
    Museo de Arte Occidental de Tokio
    Tokyo
    1971
    from 16th 1971 to January 23th 1972. Exhibited also at the Kyoto Municipal Museum of Art, January 29th to March 15th 1972.
Bibliografía
  • SÁNCHEZ CANTÓN, Francisco Javier
    Los Caprichos de Goya y sus dibujos preparatorios
    Bibliography']['number
    BarcelonaInstituto Amatller de Arte Hispánico
    1949
    p. 84
  • LÓPEZ-REY, José
    Goya’s Caprichos. Beauty, Reason and Caricature
    Bibliography']['number
    Nueva JerseyPrinceton University Press
    1953
    p. 198, fig. 160
  • SÁNCHEZ CANTÓN. Francisco Javier
    Bibliography']['number
    MadridMuseo del Prado
    1954
    n. 34
  • CASARIEGO, Rafael
    Goya. Los Caprichos. Colección de ochenta y cinco estampas en las que se fustigan errores y vicios humanos
    Bibliography']['number
    MadridEdiciones de Arte y Bibliofilia
    1966
    cat. 38
  • GASSIER, Pierre y WILSON, Juliet
    Vie et ouvre de Francisco de Goya
    Bibliography']['number
    ParísOffice du livre
    1970
    p. 180, cat. 525
  • GASSIER, Pierre
    Dibujos de Goya, 2 vols
    Bibliography']['number
    BarcelonaNoguer
    1975
    p. 133, cat. 96
  • LAFUENTE FERRARI, Enrique
    Los Caprichos de Goya
    col. Serie punto y línea
    Bibliography']['number
    BarcelonaGustavo Gili
    1977
    p. 40
  • BLAS BENITO, Javier, MATILLA RODRÍGUEZ, José Manuel y MEDRANO, José Miguel
    El libro de los caprichos: dos siglos de interpretaciones (1799-1999). Catálogo de los dibujos, pruebas de estado, láminas de cobre y estampas de la primera edición
    Bibliography']['number
    MadridMuseo Nacional del Prado
    1999
    p. 217
  • Bibliography']['number
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