Francisco de Goya

Man Looking for Fleas in his Shirt (Hombre buscando pulgas en su camisa)

Man Looking for Fleas in his Shirt (Hombre buscando pulgas en su camisa)
Datos Generales
Cronología
1824 - 1825
Ubicación
Museum of Fine Arts, Boston, United States
Dimensiones
6 x 5.9 cm
Técnica y soporte
Watercolor on ivory
Reconocimiento de la autoría de Goya
Undisputed work
Titular
Museum of Fine Arts, Boston
Ficha: realización/revisión
05 May 2010 / 28 Jul 2017
Inventario
341 M. M. Karolik F
Historia

See Maja and Celestina.

This miniature belonged to Luis Portilla. He put it up for sale in Madrid, together with others that were in his possession, on 16 December 1880. It was later in several different collections: Warwick, Paris; Schidloff, Paris; that of Baron von Schlumberger, Vienna; Thomas Harris, London, around 1938; Vincent Price, Los Angeles, around 1956; Philip Hofer, Cambridge (MA) and, finally, the Boston collection of R. M. Light, from whom the Museum of Boston acquired it on 12 June 1974, through the funds of Mr And Mrs Karolik.

Análisis artístico

For the artistic and technical analysis of the complete series, see Maja and Celestina.

This miniature shows a bare-chested man holding up a shirt which he is carefully examining for fleas. The man's skin is coloured a pinkish hue, but, despite this, this is still an image of predominantly cold tones, dominated by the black of the background, the shirt and the bold outline of the man. Here we can see how Goya has used a technique similar to "sgraffito", using a sharpened object to scrape away the pigment from certain areas of the shirt, revealing the white ivory underneath and leaving irregular patches.

Exposiciones
  • The art of Goya. Paintings, drawings and prints
    The Art Institute of Chicago
    Chicago
    1941
    from January 30th to March 2nd 1941
  • Goya. El Capricho y la Invención. Cuadros de gabinete, bocetos y miniaturas
    Museo Nacional del Prado
    Madrid
    1993
    from November 18th 1993 to February 15th 1994. Exhibited also at the Royal Academy of Arts, London, March 18th to June 12th 1994 and The Art Institute of Chicago, Chicago, July 16th to October 16th 1994, consultant editors Manuela B. Mena Marqués and Juliet Wilson-Bareau
  • Goya’s last Works
    The Frick Art Collection
    New York
    2006
    consultant editors Jonathan Brown and Susan Grace Galassi. From February 22nd to May 14th 2006
Bibliografía
  • Goya’s Bordeaux miniatures, , , Boston, 1966
    Museum of Fine Arts Boston Bulletin
    Eleanor Sayre
    p. 116, cat. 6
    LXIV n.337
    1966
  • Vie et ouvre de Francisco de Goya
    Juliet Wilson and Pierre Gassier
    p. 362, cat. 1679
    1970
    Office du livre
  • Goya, 1746 – 1828. Biografía, estudio analítico y catálogo de sus pinturas, 4 vols.
    José Gudiol
    vol. I, p. 386, cat. 750
    1970
    Polígrafa
  • L’opera pittorica completa di Goya
    Rita de Angelis
    p. 136, cat. 669
    1974
    Rizzoli
  • Francisco de Goya, 4 vols.
    José Camón Aznar
    vol. IV, p. 219 y p. 335 (il.)
    1980-1982
    Caja de Ahorros de Zaragoza, Aragón y Rioja
  • Goya. El capricho y la invención. Cuadros de gabinete, bocetos y miniaturas
    Manuela B. (comisaria) Mena Marqués and Juliet (comisaria) Wilson-Bareau
    pp. 324, 325, 380, cat. 104 y p. 326 (il
    1993
    Museo del Prado
  • Goya’s last works
    Jonathan Brown and Susan Grace Galassi
    p. 136, cat. 17 y p. 137 (il.)
    2006
    The Frick Collection and Yale University Press
Enlaces externos
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