- Cronología
- Ca. 1794 - 1795
- Ubicación
- The Prado National Museum. Madrid, Madrid, Spain
- Dimensiones
- 171 x 100 mm
- Técnica y soporte
- Aguada de tinta china sobre papel
- Reconocimiento de la autoría de Goya
- Documented work
- Titular
- El Prado National Museum
- Ficha: realización/revisión
- 10 Mar 2011 / 29 Jun 2023
- Inventario
- (D. 4185)
Trinity Museum identification stamp (above, almost illegible).
See Young woman with forehead wearing a small hat.
Line of provenance (common to drawings A.g, A.h, A.i and A.j): Javier Goya, Mariano Goya. Around 1855-1860 it was in the hands of Federico de Madrazo and/or Román Garreta. Acquired for the Museum of the Trinity in Madrid by Royal Order of 5 April 1866 and incorporated into the Prado Museum in 1872.
See Young woman with forehead wearing a small hat.
With rapid strokes, the Aragonese painter sketched a woman profile who, with both hands, pulls up one of the stockings covering her legs. This may be considered a first idea for Caprice 17. Well pulled, , in which he maintains the same pose of the young woman leaning on the bed and placing her foot on a basin, which in the print will become a brazier. Her face is in shadow, something that is also evident in the engraving, although this one includes an old woman who observes the scene with an air of absorption. It is a very luminous drawing in which Goya leaves large white surfaces on the paper. The volumes are generated from lines drawn with the tip of a brush dipped in a very light wash.
On the front of the sheet is the drawing Young Woman Raising Her Arms.
-
Francisco Goya. Ausgewählte HandzeichnungenBerlin1924cat. 2
-
Goya. Exposition de l’oeuvre gravé, de peintures, de tapisseries et de cent dix dessins du Musée duBibliothèque nationale de FranceParís1935
-
The changing image: prints by Francisco de GoyaMuseum of Fine Arts1974From October to December 1974. Exhibited also at The National Gallery of Canada, Ottawa, January to March 1975cat. 50
-
Goya. Das Zeitalter der Revolucionen. Kunst um 1800 (1980 – 1981)Hamburger KunsthalleHamburg1980
-
Europa 1789. Aufklärung, Verklärung, VerfallHamburger KunsthalleHamburg1989
-
Francisco de Goya: Maleri, Tegning, GrafikkNasjonalgallerietOslo1996from 10th to April 14th 1996
-
Francisco de Goya. El proceso creativo de los CaprichosMuseo Nacional del PradoMadrid1999
-
Goya: drawings from his private albumsHayward GalleryLondon2001, exposición celebrada en the Hayward Gallery de Londres en el año 2001; responsable científica Juliet Wilson.cat. 1
-
Os Caprichos de Goya. Desenhos e Gravuras do Museu do Prado e da Calcografia Nacional de EspanhaCentro Cultural de BelémLisboa2001
-
Goya en tiempos de guerraMuseo Nacional del PradoMadrid2008consultant editor Manuela B. Mena Marqués, from April 14th to July 13th 2008cat. 7
-
Madrid2019cat. 223
-
Los Caprichos de Goya y sus dibujos preparatoriosBarcelonaInstituto Amatller de Arte Hispánico1949pp. 30-33
-
Goya’s Caprichos. Beauty, Reason and CaricatureNueva JerseyPrinceton University Press1953vol. II
-
Los dibujos de Goya, 2 vols.MadridAmigos del Museo del Prado1954cat. 218
-
Eight Books of Drawings by GoyaThe Burlington MagazineLondon1964pp. 24-25, cat. j
-
Vie et ouvre de Francisco de GoyaParísOffice du livre1970p. 171, cat. 365
-
Dibujos de Goya: Los álbumesBarcelonaNoguer1973p. 42, cat. A.j [10]
-
Los Caprichos de Goyacol. Serie punto y líneaBarcelonaGustavo Gili1977p. 66
-
El mundo de Goya en sus dibujosMadridUrbión1979pp. 49-50
-
Goya, dibujosMadridSilex1980pp. 60-61, cat. 5
-
El libro de los caprichos: dos siglos de interpretaciones (1799-1999). Catálogo de los dibujos, pruebas de estado, láminas de cobre y estampas de la primera ediciónMadridMuseo Nacional del Prado1999p. 129
-
La duquesa de Alba, «musa» de Goya. El mito y la historiaMadridEdiciones el Viso, Museo Nacional del Prado2006p. 136
-
Goya en tiempos de guerraMadridMuseo Nacional del Prado2008p. 142-143, n. 7
-
MadridMuseo Nacional del Prado2019pp. 332-333
