Francisco de Goya

Woman with Clothes Blowing in the Wind (Mujer con los vestidos inflados por el viento)

Woman with Clothes Blowing in the Wind (Mujer con los vestidos inflados por el viento)
Datos Generales
Cronología
1824 - 1825
Ubicación
Museum of Fine Arts, Boston, United States
Dimensiones
9 x 9.5 cm
Técnica y soporte
Watercolor on ivory
Reconocimiento de la autoría de Goya
Undisputed work
Titular
Museum of Fine Arts, Boston
Ficha: realización/revisión
16 May 2010 / 28 Jul 2017
Inventario
344 Bequest of Pame
Historia

See Maja and Celestina.

This work was put up for auction at the Hôtel Drouot auction house, Paris, on 22 February 1937 (lot 56-1). It was later in the collection of Thomas Harris, in London. In around 1941 it was in the Durlacher Bros. collection in New York, later entering the collection of R. Kirk Jr. and Pamela Askew, also in New York. It was bequeathed to the Museum of Fine Arts, Boston, on 24 June 1998.

Análisis artístico

For the artistic and technical analysis of the complete series, see Maja and Celestina.

In this romantic miniature we see the figure of a woman, seen from behind, wrapped in a blue dress and a black cape. She appears to be on high ground, indicated by the wide sky, which occupies almost all of the background, leaving less than a third of it to the terrain seen in the distance. The wind is blowing her clothes and hair, and is lifting up her skirt just enough to show us her bare foot.

The woman's face is only just suggested behind her head of hair. There was probably another composition underlying this one, since we know that Goya reused some of the ivory plaques in order to save on the precious material.

Exposiciones
  • Goya. El Capricho y la Invención. Cuadros de gabinete, bocetos y miniaturas
    Museo Nacional del Prado
    Madrid
    1993
    from November 18th 1993 to February 15th 1994. Exhibited also at the Royal Academy of Arts, London, March 18th to June 12th 1994 and The Art Institute of Chicago, Chicago, July 16th to October 16th 1994, consultant editors Manuela B. Mena Marqués and Juliet Wilson-Bareau
  • Goya’s last Works
    The Frick Art Collection
    New York
    2006
    consultant editors Jonathan Brown and Susan Grace Galassi. From February 22nd to May 14th 2006
  • Goya: Order and disorder
    Museum of Fine Arts
    Boston
    2014
Bibliografía
  • Goya’s Bordeaux miniatures, , , Boston, 1966
    Museum of Fine Arts Boston Bulletin
    Eleanor Sayre
    p. 120, cat. 20
    LXIV n.337
    1966
  • Vie et ouvre de Francisco de Goya
    Juliet Wilson and Pierre Gassier
    pp. 357, 362, cat. 1690 y p.342 (il.)
    1970
    Office du livre
  • Goya, 1746 – 1828. Biografía, estudio analítico y catálogo de sus pinturas, 4 vols.
    José Gudiol
    vol. I, p. 386, cat. 742
    1970
    Polígrafa
  • L’opera pittorica completa di Goya
    Rita de Angelis
    p. 136, cat. 682
    1974
    Rizzoli
  • Francisco de Goya, 4 vols.
    José Camón Aznar
    vol. IV, p. 218 y p. 333 (il.)
    1980-1982
    Caja de Ahorros de Zaragoza, Aragón y Rioja
  • Goya. El capricho y la invención. Cuadros de gabinete, bocetos y miniaturas
    Manuela B. (comisaria) Mena Marqués and Juliet (comisaria) Wilson-Bareau
    p. 324-325, 380, cat. 105 y p. 327 (il.)
    1993
    Museo del Prado
  • Goya’s last works
    Jonathan Brown and Susan Grace Galassi
    p. 142, cat. 20 y p. 143 (il.)
    2006
    The Frick Collection and Yale University Press
Enlaces externos
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