Datos Generales
- Cronología
- 1781 - 1782
- Ubicación
- atiana Pérez de Guzmán el Bueno Fundation, Madrid, Spain
- Dimensiones
- 62 x 33 cm
- Técnica y soporte
- Oil on canvas
- Reconocimiento de la autoría de Goya
- Documented work
- Ficha: realización/revisión
- 13 Jan 2010 / 13 Jun 2023
Historia
See Sketch 1.
Análisis artístico
This second sketch is much closer in appearance to the definitive painting. Goya has paid a great deal of attention to the design, cleaning up the composition. The figure of the priest has been lengthened, increasing the vertical axis of this pyramidal scheme, and the saint's face has been softened. He is holding the christogram which he used in his sermons and which became his traditional symbol.
Exposiciones
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Goya 1900Ministerio de Instrucción Pública and Bellas ArtesMadrid1900consultant editors Aureliano de Beruete, Alejandro Ferrant, Marqués de Pidal and Ricardo Velázquez. May 1900cat. 53: Marqués de la Torrecilla
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Spanish paintingsThe Royal Academy of ArtsLondon1920cat. 107: Marqués de la Torrecilla
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Goya. El Capricho y la Invención. Cuadros de gabinete, bocetos y miniaturasMuseo Nacional del PradoMadrid1993from November 18th 1993 to February 15th 1994. Exhibited also at the Royal Academy of Arts, London, March 18th to June 12th 1994 and The Art Institute of Chicago, Chicago, July 16th to October 16th 1994, consultant editors Manuela B. Mena Marqués and Juliet Wilson-Bareaucat. 12 (catalogado pero no expuesto)
Bibliografía
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L'œuvre peint de Goya. 4 volsBibliography']['numberParís1928-1950p. 115, cat. 64 y fig. 48
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Vie et ouvre de Francisco de GoyaBibliography']['numberParísOffice du livre1970p. 93, cat. 186
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Bibliography']['number
BarcelonaPolígrafa1970vol. I, p. 255, cat. 135
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L’opera pittorica completa di GoyaBibliography']['numberMilanRizzoli1974p. 97, cat. 121
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Francisco de Goya, 4 vols.Bibliography']['numberZaragozaCaja de Ahorros de Zaragoza, Aragón y Rioja1980-1982vol. I, pp. 165, 166 y p. 282 (il.)
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Goya. El capricho y la invención. Cuadros de gabinete, bocetos y miniaturasBibliography']['numberMadridMuseo del Prado1993pp. 134-136, 248, cat. 12 y p. 137 (il.)
