Francisco de Goya

Hunter (Cazador)

Clasificación
Hunter (Cazador)
Datos Generales
Cronología
1775
Ubicación
Biblioteca Nacional, Madrid, España, Madrid, Spain
Dimensiones
322 x 206 mm
Técnica y soporte
Black pencil on blue paper
Reconocimiento de la autoría de Goya
Undisputed work
Titular
National Library of Spain
Ficha: realización/revisión
05 May 2011 / 27 Sep 2016
Inventario
261 (B.820 recto)
Historia

This is a preparatory drawing for the tapestry cartoon Hunting Party. It is the recto of the sketch of the same name.

The sketch belonged to Javier Goya and, subsequently, to Mariano Goya. It formed part of the collections of Vicente Carderera and of Mariano Carderera (the owner's stamp on the drawing is preserved) before passing to the National Library collection.

Análisis artístico

The two preparatory drawings which appear on the recto and verso of the same page depict the hunters which appear on the left in Hunting Party, the main tapestry cartoon designed for the dining room of the Prince and Princess of Asturias in the Palace of San Lorenzo de El Escorial.

These preparatory sketches are so impersonal that Ángel M. Barcia catalogued them as being the work of Francisco Bayeu. It was Sambricio who attributed them to Goya once again when he linked them to the tapestry cartoon.

Gassier highlights the naturalism of the pose; the stance of the hunter strongly suggests that the work was based on the direct experience of the artist, who was a great fan of the hunt. The sport frequently featured in works decorating the royal residences, a fact which doubtless contributed to the success of this first series of cartoons.

The writer also emphasises the clear lines and modelling obtained with a minimum of materials, although he is also of the opinion that Goya was at that time his brother-in-law's shadow, his own originality as yet unrealized.

Goya would produce further sketches depicting the theme of hunters some forty years later, this time for his own pleasure.

Exposiciones
  • Goya en la Biblioteca Nacional. Exposición de grabados y dibujos en el sesquicentenario de su muerte
    Biblioteca Nacional
    Madrid
    1978
    May - June 1978
  • Permanencia de la memoria, cartones para tapiz y dibujos de Goya
    Museo de Zaragoza
    Zaragoza
    1997
    organized by Gobierno de Aragón, Museo Nacional del Prado and Patrimonio Nacional, consultant editor Fernando Checa Cremades. From February 14th to April 6th 1997
Bibliografía
  • Tapices de Goya
    Valentín de Sambricio
    p. 195, cat. 6ª
    1946
    Patrimonio Nacional
  • Vie et ouvre de Francisco de Goya
    Juliet Wilson and Pierre Gassier
    pp. 74, 85, cat. 64
    1970
    Office du livre
  • Goya
    Jeannine (comisaria) Baticle and A. B. (comisario) Vries
    vol. I, p. 244 y vol. II, p. 81(il.)
    1970
    Ministère d’Etat-Affaires culturelles y Réunion des Musées Nationaux
  • L’opera pittorica completa di Goya
    Rita de Angelis
    p. 92, cat. 52a
    1974
    Rizzoli
  • Dibujos de Goya, 2 vols
    Pierre Gassier
    p. 32, cat. 4
    1975
    Noguer
  • Francisco de Goya, 4 vols.
    José Camón Aznar
    vol. I, pp. 77-78
    1980-1982
    Caja de Ahorros de Zaragoza, Aragón y Rioja
  • Imagen de Goya
    Valeriano Bozal
    pp. 64-65
    1983
    Lumen
  • Francisco de Goya, cartones y tapices
    José Manuel Arnáiz
    pp. 56, 239, cat. 6D-I y p. 58 (il.)
    1987
    Espasa Calpe
    Col. Espasa Arte
  • Goya. 250 Aniversario
    Juan J. (comisario) Luna
    p. 285
    1996
    Museo del Prado
Enlaces externos
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