- Cronología
- 1775
- Ubicación
- The Prado National Museum. Madrid, Madrid, Spain
- Dimensiones
- 112 x 174 cm
- Técnica y soporte
- Oil on canvas
- Reconocimiento de la autoría de Goya
- Documented work
- Titular
- El Prado National Museum
- Ficha: realización/revisión
- 05 Nov 2009 / 14 Apr 2021
- Inventario
- (P00753)
For the history of the whole series, see Wild Boar Hunt.
In addition to the different attributions made in relation to this series of cartoons and the documentation of Goya's authorship made by Sambricio, the work before us was also attributed to Antonio González Velázquez by Vicente López in the inventory that he carried out in 1834 for Ferdinand VII's will, and in 1870 it was attributed by Cruzada Villamil to Ramón Bayeu.
Around 1856 or 1857, the cartoon was moved from the Royal Tapestry Factory of Santa Bárbara to the Royal Palace in Madrid. In 1869 the work disappeared from the Royal Palace, along with six other tapestry cartoons (see Children with a Cart), being recovered by Don Raimundo de Madrazo, who bought it in Paris and donated it in 1895 to the Prado Museum (still with the attribution to Ramón Bayeu), where it is housed today but is not on show.
Two chained mastiffs, next to two shotguns and other hunting implements, in a landscape.
Thanks to the documentation provided by Sambricio we know for certain that it is the work of Goya, although most experts agree that it is one of his most impersonal works.
Because of their similar dimensions, and because both works are designed to be hung above a door or window, this cartoon is paired with Hunting with a Decoy.
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Antonio Rafael Mengs (1728 – 1779)Museo Nacional del PradoMadrid1980consultant editor Xavier de Salas. From June to July 1980cat. 76
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Pintura española de bodegones y floreros de 1600 a GoyaMuseo Nacional del PradoMadrid1983consultant editor Alfonso E. Pérez Sánchez, November 1983 to January 1984cat. 185
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Goya joven (1746-1776) y su entornoMuseo e Instituto Camón AznarZaragoza1986consultant editorl José Rogelio Buendía. November 21st to December 20th 1986cat. 43
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Goya. 250 AniversarioMuseo Nacional del PradoMadrid1996consultant editor Juan J. Luna. From March 29th to June 2nd 1996cat. 1
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Permanencia de la memoria, cartones para tapiz y dibujos de GoyaMuseo de ZaragozaZaragoza1997organized by Gobierno de Aragón, Museo Nacional del Prado and Patrimonio Nacional, consultant editor Fernando Checa Cremades. From February 14th to April 6th 1997cat. 7, sec. IV
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Goya en Madrid. Cartones para tapices 1775-1794Museo Nacional del PradoMadrid2014p. 73
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Tapices de GoyaMadridPatrimonio Nacional1946pp. 49, 52-53, 55, 58-59, 61, 188, cat.
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Vie et ouvre de Francisco de GoyaParísOffice du livre1970pp. 74, 84, cat. 58
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pp. 74, 84, cat. 58
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L’opera pittorica completa di GoyaMilanRizzoli1974p. 92, cat 48
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Francisco de Goya, 4 vols.ZaragozaCaja de Ahorros de Zaragoza, Aragón y Rioja1980-1982vol. I, pp. 76, 77 y p. 98 (il.)
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Francisco de Goya, cartones y tapicescol. Col. Espasa ArteEspasa Calpe1987pp. 46, 49, 61, 64, 233, cat. 2C y p. 50
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Francisco de Goya. Los cartones para tapices y los comienzos de su carrera en la corte de Madridcol. Col. Ensayos de Arte CátedraMadridCátedra1987p. 43
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Goya. 250 AniversarioMadridMuseo del Prado1996p. 280, cat. 1 y p. 66 (il.)
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Goya en Madrid. Cartones para tapices 1775-1794MadridMuseo Nacional del Prado2014p. 73
