- Colección Masaveu, Oviedo, Spain
- 42 x 31 cm
- Técnica y soporte
- Oil on tin
- Reconocimiento de la autoría de Goya
- Undisputed work
- Colección Masaveu
- Ficha: realización/revisión
- 28 Apr 2010 / 14 Jun 2023
- Otros títulos:
This work was painted during Goya's stay in Cádiz and was donated to the Royal Academy of Fine Arts of San Fernando, Madrid, in January 1794.
The scene is set inside a bullring, featuring two levels of boxes built over the top of the stands. According to Gassier, this is the bullring of Madrid, built nearby the Plaza de Alcalá during the reign of Ferdinand VI. Five of the eight paintings in this series are set in bullrings which are very similar in appearance to this one.
The clearing of the bullring took place before the bullfight and consisted in clearing the ring of all obstacles, leaving it ready for the fight. This task was carried out by the officials known as alguaciles, mounted on horseback. Also visible in this painting are a group of people leaving through the gates and two young men, standing apart from the others, in the foreground.
The crowd in the stands has been depicted using deft, light touches of the brush. Despite the tiny dimensions of the figures it is possible to make out with a certain amount of clarity the hats worn by the men and the white mantillas of the women.
For more information, see Bulls in the Meadow .
GoyaMusée Jacquemart-AndréParís1961consultant editor Jean-Gabriel Domergue. From December 1961 to February 1962cat. 12
Goya: toros y torerosEspace Van GoghArles1990displayed also at Academia de Bellas Artes de San Fernando, Madrid, consultant editor Pierre Gassier.cat. 5
Vie et ouvre de Francisco de GoyaBibliography']['numberParísOffice du livre1970p. 169, cat. 320
BarcelonaPolígrafa1970vol. I, p. 278, cat. 273
L’opera pittorica completa di GoyaBibliography']['numberMilanRizzoli1974p. 106, cat. 272
Goya, toros y torerosBibliography']['numberMadridMinisterio de Cultura, Comunidad de Madrid1990pp. 58 y 59 (il.), cat. 5
“Moors and the Bullfight: History and National Identity in Goya's Tauromaquia”Burlington magazineBibliography']['numberLondon2008p. 195
Los mundos de Goya (1746-1828)Bibliography']['numberBarcelonaLunwerg2008p. 239