- The Prado National Museum. Madrid, Madrid, Spain
- 8 cm de diámetro
- Técnica y soporte
- Oil on copper
- Reconocimiento de la autoría de Goya
- Documented work
- El Prado National Museum
- Ficha: realización/revisión
- 23 Mar 2010 / 15 Sep 2022
Goya made seven miniature portraits, all on sheets of copper and with a circular format, for the wedding of his son, Francisco Javier, to Gumersinda Goicoechea, which took place on 5 July 1805.
This work was acquired by the Prado Museum in 1978.
Juana Galarza, wife of the fabric merchant Martín Miguel de Goicoechea, was the mother of four daughters, including Gumersinda, who married Javier Goya. All the women in her family were painted by Goya, along with her husband and her son-in-law. She appears here wearing an elegant dress of white lace, with matching coif, and wrapped several times around her neck she wears a gold necklace, reflecting her elevated economic status, coming as she did from a wealthy bourgeois family.
Her face, standing out against a neutral background in order to give an increased sense of volume, is serious as it looks out at the viewer.
The rapid brushstrokes are most visible in the coif, which is brilliantly executed. The touches of the brush are, according to Manuela Mena, light and free, but still precise, and do not waste time on superficial details.
Goya. 250 AniversarioMuseo Nacional del PradoMadrid1996consultant editor Juan J. Luna. From March 29th to June 2nd 1996cat. 127
Goya. La imagen de la mujerMuseo Nacional del PradoMadrid2001from October 30th 2001 to February 10th 2002. Exhibitied also at the National Gallery of Art, Washington, March 10th to June 2nd 2002, consultant editor Francisco Calvo Serrallercat. 42
Antecedentes, coincidencias en influencias del arte de GoyaSociedad Española de Amigos del ArteMadrid1932consultant editor Antonio Méndez Casalcat. 7
Goya. El Capricho y la Invención. Cuadros de gabinete, bocetos y miniaturasMuseo Nacional del PradoMadrid1993from November 18th 1993 to February 15th 1994. Exhibited also at the Royal Academy of Arts, London, March 18th to June 12th 1994 and The Art Institute of Chicago, Chicago, July 16th to October 16th 1994, consultant editors Manuela B. Mena Marqués and Juliet Wilson-Bareaucat. 67
Goya en tiempos de guerraMuseo Nacional del PradoMadrid2008consultant editor Manuela B. Mena Marqués, from April 14th to July 13th 2008cat. 41
Las miniaturas en el Museo del PradoMuseo del PradoMadrid2011consultant editor Carmen Espinosa. From October 10th 2011 to February 26th 2012cat. 3
Goya: The PortraitsLondon2015cat. 49
Goya. Antecedentes, Coincidencias e Influencias del arte de GoyaMadridSociedad Española de Amigos del Arte1947pp. 37 y 38, cat. 7
Vie et ouvre de Francisco de GoyaParísOffice du livre1970p. 200, cat. 849
vol. I, pp. 329 y 330, cat. 502
Goya. El capricho y la invención. Cuadros de gabinete, bocetos y miniaturasMadridMuseo del Prado1993pp. 266, 267, 268 (il.) y 269 (il), cat.
Goya. 250 AniversarioMadridMuseo del Prado1996pp. 222 (il.) y 399, cat. 127
Goya, la imagen de la mujerMadridMuseo Nacional del Prado y Fundación Amigos del Museo del Prado2001pp. 200 y 201 (il.), cat. 42
Goya en tiempos de guerraMadridMuseo Nacional del Prado2008pp. 212, 213 (il.) y 214, cat. 41
LondonNational Gallery Company2015pp. 150-153