- Cronología
- Ca. 1798
- Ubicación
- Private collection
- Dimensiones
- 26 x 38 cm
- Técnica y soporte
- Oil on canvas
- Reconocimiento de la autoría de Goya
- Undisputed work
- Titular
- Private collection
- Ficha: realización/revisión
- 13 Oct 2010 / 01 Jun 2023
- Inventario
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This preparatory sketch belonged to the collection of the Countess of Villagonzalo, and now forms part of the Maria Luisa Maldonado collection in Madrid. This sketch and that of the Adoration of the Trinity (Adoración de la Trinidad) are the only sketches for the paintings of the Chapel of San Antonio de la Florida that are classed as undisputed works by Goya.
The sketch depicts the miracle that is the focus of the scene painted on the cupola of the Chapel of San Antonio de la Florida.
Saint Anthony is shown raising the murdered man from the dead. Also visible are the balustrade, the man with his arms raised, the cloth on the balustrade and the little boy who stands on it, among other notable features. Although the main characters are shown in this sketch, they are all modified in the final painting, with the figures on the right being better defined and less crowded. The composition was thereby improved in the definitive work. The scenery in the background was also simplified, as Goya removed the flying angels shown the sketch.
This is a very light sketch executed on a reddish ground. The predominant colours are greenish blue and yellow ochre, along with some darker and earthy tones and a greyish green hue.
Cleaned in 1993.
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Goya 1900Ministerio de Instrucción Pública and Bellas ArtesMadrid1900consultant editors Aureliano de Beruete, Alejandro Ferrant, Marqués de Pidal and Ricardo Velázquez. May 1900cat. 87
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Exposición de la obra grabada de GoyaSociedad Española de Amigos del ArteMadrid1928catalogue by Miguel Velasco Aguirrecat. 57
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Goya en las colecciones madrileñasMuseo Nacional del PradoMadrid1983consultant editor Enrique Lafuente Ferrari. From April 19th to June 20th 1983cat. 27
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Goya (1746 – 1828)Galleria Internazionale d’Arte Moderna di Ca’PesaroVenecia1989consultant editor Antonio Fortún Paesa. From May 7th to July 4th 1989cat. 28
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GoyaLa Lonja, Torreón Fortea y Museo Pablo GargalloZaragoza1992consultant editor Julián Gállegocat 27
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Goya. El Capricho y la Invención. Cuadros de gabinete, bocetos y miniaturasMuseo Nacional del PradoMadrid1993from November 18th 1993 to February 15th 1994. Exhibited also at the Royal Academy of Arts, London, March 18th to June 12th 1994 and The Art Institute of Chicago, Chicago, July 16th to October 16th 1994, consultant editors Manuela B. Mena Marqués and Juliet Wilson-Bareaucat. 53
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Goya: Prophet der ModerneAlte NationalgalerieBerlin2005from July 13th to October 3th 2005. Exhibitied also at the Kunsthistorischemuseum, Vienna, October 18th 2005 to January 8th 2006, consultant editor Manuela B. Mena Marquéscat. 72
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Goya: Order and disorderMuseum of Fine ArtsBoston2014cat. 152
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GoyaBasle2021pp. 120-122
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Goya. Composiciones y figuras, t.IIMadridBlass1917pp.83-84
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p. 168, cat. 10
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Las pinturas del panteón de GoyaBarcelonaEditorial Orbis1944
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L'œuvre peint de Goya. 4 volsParís1928-1950pp. 132, cat. 88
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Les fresques de San Antonio de la FloridaSkira1955
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El boceto para la cúpula de San Antonio de la FloridaArte EspañolXXIIIMadrid1961pp. 133-138
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Vie et ouvre de Francisco de GoyaParísOffice du livre1970pp. 192, cat. 718
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vol. I, p. 301, cat. 380
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La ermita de San Antonio de la FloridaAyuntamiento de Madrid1992p. 34 y41
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Goya. El capricho y la invención. Cuadros de gabinete, bocetos y miniaturasMadridMuseo del Prado1993pp. 232-237
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Las pinturas de San Antonio de la Florida de Goyatf. Editores2006
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San Antonio de la Florida y Goya. La restauración de los frescosMadridPatrimonio Nacional, Real Academia de Bellas Artes de San Fernando y Ayuntamiento de Madrid2008
