Francisco de Goya

Another way of hunting on foot

Clasificación
Another way of hunting on foot
Datos Generales
Cronología
1814 - 1816
Dimensiones
243 x 353 mm
Técnica y soporte
Aguafuerte, aguatinta, punta seca, buril y bruñidor
Reconocimiento de la autoría de Goya
Documented work
Ficha: realización/revisión
28 Sep 2021 / 22 Jun 2023
Inventario
-
Inscripciones

2 (print, upper right-hand corner)

Historia

See How the ancient Spaniards hunted bulls on horseback in the countryside

A state proof made before applying the aquatint is preserved, which comes from the Carderera Collection and it  is currently preserved in the National Library of Madrid.

The plate it is preserved in the National Calcography, with Unfortunate charge of a powerful bull ( Bullfighting B) engraved on the back.

Análisis artístico

See How the ancient Spaniards hunted bulls on horseback in the countryside

In this print, which belongs to the group of "historical2 scenes of Bullfighting (nº 1-11), we see how two men throw a bull in the neck and belly, in the middle of a desolate and shady open landscape. The animal, placed in a pronounced foreshortened position in front of the spectator, bends its forelimbs.

Engraved plate with great force and dynamism, with marked drama and violence intensified by the diagonal disposition of the spears and the struggling posture of the two men. There are few points of light within the scene and they are concentrated on the men´s clothing and on the blackground. 

As in the previous case, the scene shows us what bull hunting would have been like in primitive times. For Gassier, as well as for Lafuente Ferrari, this scene could represent the origin of the bullfights: in open field and in this case standing and with the help of the pikes.

Sayre, in his study, refers to the manuscript title that Goya gives it in the collection of prints held by the Public Library of Boston: The same. 

The preparatory drawing for this print, also entitled Another way of hunting on foot has been preserved.

Exposiciones
  • Grabados y dibujos de Goya en la Biblioteca Nacional
    Biblioteca Nacional
    Madrid
    1946
    catalogue Elena Páez Ríos
  • Boston
    1974
  • 1975
  • Goya en la Biblioteca Nacional. Exposición de grabados y dibujos en el sesquicentenario de su muerte
    Biblioteca Nacional
    Madrid
    1978
    May - June 1978
  •  Grabados de Goya: colección propiedad de la Biblioteca Nacional, que se conserva en su Gabinete de
    Casa de la Amistad de Moscú
    Moscow
    1979
    exhibition displayed from January 18th to 31st 1979
  • Goya. Das Zeitalter der Revolucionen. Kunst um 1800 (1980 – 1981)
    Hamburger Kunsthalle
    Hamburg
    1980
  • 1984
  • Madrid
    1987
  • Goya: toros y toreros
    Espace Van Gogh
    Arles
    1990
    displayed also at Academia de Bellas Artes de San Fernando, Madrid, consultant editor Pierre Gassier.
  • Goya grabador
    Fundación Juan March
    Madrid
    1994
    consultant editors Alfonso E. Pérez Sánchez and Julián Gállego, from January 14th to March 20th 1994
  • Ydioma universal: Goya en la Biblioteca Nacional
    Biblioteca Nacional
    Madrid
    1996
    from September 19th to December 15th 1996
  • Goya grabador
    Museo del Grabado Español Contemporáneo
    Marbella
    1996
    from March 8th to May 5th 1996
  • Zaragoza
    1996
  • Schlaf der Vernunft. Original radierungen von Francisco de Goya
    Munich
    2000
  • Madrid
    2002
  • Madrid
    2002
  • Goya en tiempos de guerra
    Museo Nacional del Prado
    Madrid
    2008
    consultant editor Manuela B. Mena Marqués, from April 14th to July 13th 2008
  • Bilbao
    2012
  • Goya et la modernité
    Pinacothèque de Paris
    París
    2013
    from October 11st 2013 to March 16th 2014
  • Goya: Order and disorder
    Museum of Fine Arts
    Boston
    2014
  • Zaragoza
    2017
  • Agen
    2019
Bibliografía
  • LAFUENTE FERRARI, Enrique
    Bibliography']['number
    1946
    pp. 177-216, espec. pp. 185 y 187
  • HARRIS, Tomás
    Bibliography']['number
    OxfordBruno Cassirer
    1964
    vol. II, pp. 313-314, cat. 205
  • GASSIER, Pierre y WILSON, Juliet
    Vie et ouvre de Francisco de Goya
    Bibliography']['number
    ParísOffice du livre
    1970
    pp. 276, cat. 1151
  • SAYRE, Eleanor
    The Changing image: Prints by Francisco Goya
    Bibliography']['number
    BostonMuseum of Fine Arts
    1974
    pp. 211-214, cat. 164-166
  • HOFMANN, Werner (ed.)
    Goya, Das Zeitalter de Revolutionen. 1789-1830
    Bibliography']['number
    HamburgPrestel-Verlag Münche und Hamburger Kunsthalle
    1980
    p. 295
  • GASSIER, Pierre
    Goya, toros y toreros
    Bibliography']['number
    MadridMinisterio de Cultura, Comunidad de Madrid
    1990
    p. 85
  • SANTIAGO PÁEZ, Elena y WILSON-BAREAU, Juliet (comisarias)
    Ydioma universal: Goya en la Biblioteca Nacional
    Bibliography']['number
    MadridBiblioteca Nacional, Sociedad Estatal Goya 96 y Lunwerg
    1996
    p. 239
  • MATILLA, José Manuel y MEDRANO, José Miguel
    Bibliography']['number
    MadridMuseo Nacional del Prado
    2001
    pp. 43-45
  • MENA MARQUÉS, Manuela B.
    Goya en tiempos de guerra
    Bibliography']['number
    MadridMuseo Nacional del Prado
    2008
    pp. 414-415
  • OROPESA, Marisa and RINCÓN GARCÍA, Wilfredo
    Bibliography']['number
    ParísPinacoteca de París
    2013
    p. 102
  • ILCHMAN, Frederick y STEPANEK, Stephanie L. (comisarios)
    Goya: Order & Disorder
    Bibliography']['number
    BostonMuseum of Fine Arts Boston Publications
    2014
    pp. 166-169
  • WILSON BAREAU, Juliet
    Goya. In the Norton Simon Museum
    Bibliography']['number
    PasadenaNorton Simon Museum
    2016
    pp. 186-201
  • MOTTIN, Bruno, EFEDAQUE, Adrien and WILSON-BAREU, Juliet
    Bibliography']['number
    AgenSnoeck
    2019
    p. 120
Enlaces externos
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