Francisco de Goya

Blind man swept away on the horns of a bull (Aveugle enlevé sur les cornes d'un toreau)

Clasificación
Blind man swept away on the horns of a bull (Aveugle enlevé sur les cornes d'un toreau)
Datos Generales
Cronología
Ca. 1804
Dimensiones
175 x 215 mm
Técnica y soporte
Aguafuerte, aguatinta y punta seca
Reconocimiento de la autoría de Goya
Undisputed work
Ficha: realización/revisión
17 Nov 2010 / 14 Apr 2021
Inscripciones

AVEUGLE ENLEVÉ SUR LES CORNS D'UN TAUREAU ("BLIND MAN SWEPT AWAY ON THE HORNS OF A BULL", bottom of etching). Gazette des Beaux Arts (lower left-hand corner). Imp. Delâtre Paris (lower right-hand corner).

Historia

The title of May God repay you comes from the handwritten note made by Goya on the preparatory drawing. The title of Barbarous Entertainment has been taken from the note written on the proof which was included with the first edition copy of the Bullfighting (Tauromaquia) series which belonged to Ceán Bermúdez and which is now in the British Museum, London.

On the reverse of an isolated print of this etching we can see the title written in German, together with its price: DM 50.

In 2008 a print of May God repay you came up for sale at Christie's of London.

There is a preparatory drawing for this etching in the Prado Museum.

Análisis artístico

This etching shows a bull as it charges at a blind man, dressed in a cape and hat and holding a guitar. There are no spatial references in this image to identify where the scene is taking place.

The blind man bears a striking resemblance to the figure in The Blind Guitarist and is also dressed the same. This may suggest that there could have existed more etchings of this same character, or that perhaps Goya had planned to make more, in order to depict further episodes from the blind man's life. Later, during his stay in Bordeaux, Goya returned to the topic of blindness in the work The Blind Singer.

This etching is thought to have been made prior to 1804, since there already existed a copy in the collection of Giovanni Domenico Tiepolo (Venice, 1727-Venice, 1804) at the time of his death that same year.

Conservación

No se conserva la plancha.

Exposiciones
  • Grabados y dibujos de Goya en la Biblioteca Nacional
    Biblioteca Nacional
    Madrid
    1946
    catalogue Elena Páez Ríos
  • Goya en la Biblioteca Nacional. Exposición de grabados y dibujos en el sesquicentenario de su muerte
    Biblioteca Nacional
    Madrid
    1978
    May - June 1978
Bibliografía
  • Aureliano de Beruete Y Moret
    Goya, grabador
    MadridBlass S.A.
    1918
    cat. 255
  • Tomás Harris
    Goya engravings and lithographs, vol. I y II.
    Bruno Cassirer
    1964
    cat. 25
  • GASSIER, Pierre y WILSON, Juliet
    Vie et ouvre de Francisco de Goya
    ParísOffice du livre
    1970
    cat. 772
  • SANTIAGO, Elena M. (coordinadora)
    Catálogo de las estampas de Goya en la Biblioteca Nacional
    MadridMinisterio de Educación y Cultura, Biblioteca Nacional
    1996
    cat. 66
Enlaces externos
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